Paul Robeson

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Paul Robeson
Paul Leroy Robeson
BirthplacePrinceton, New Jersey, U.S.
Singer (spirituals, international folk, musicals, classical), actor, social activist, lawyer, athlete

Robeson, Paul

(rōb`sən), 1898–1976, American actor and bass singer, b. Princeton, N.J. The son of a runaway slave who became a minister, Robeson graduated first from Rutgers (1919), where he was an All-American football player, and then from Columbia Univ. law school (1923). He began his acting career in 1924 with the Provincetown PlayersProvincetown Players,
American theatrical company that first introduced the plays of Eugene O'Neill. The company opened with his Bound East for Cardiff at the Wharf Theatre, Provincetown, on Cape Cod in 1916 and later worked in New York City in conjunction with the
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. With a resonant voice and the ability to project a humane spirit, he won wide acclaim with his creation of the title role in Eugene O'Neill's Emperor Jones (1925; film, 1933). Other outstanding dramatic performances include Crown in DuBose Heyward's Porgy (1928) and Othello (in London, 1930, and New York, 1943–45). In 1925 he made his debut as a concert singer. Possessed of a magnificent bass voice, he became known especially for his rendition of "Ol' Man River" in Jerome Kern's musical Show Boat (1928; film, 1936) and for his interpretations of spirituals. He lived mainly in Europe from 1928 to 1939, traveling to the Soviet Union for the first time in 1934. Robeson's association with Communist causes and his winning of the International Stalin Peace Prize (1952) made him a controversial figure in the United States. He moved to England in 1958, and continued to appear in concerts in Europe and the Soviet Union. He returned to live in the United States in 1963.


See his Here I Stand (1958); biographies by his wife (1930) and son (2001) and by M. B. Duberman (1988); study by J. Goodman (2013).

The Columbia Electronic Encyclopedia™ Copyright © 2013, Columbia University Press. Licensed from Columbia University Press. All rights reserved.
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Robeson, Paul


Born Apr. 9, 1898, in Princeton, USA; died Jan. 23, 1976, in Philadelphia. American basso, dramatic actor, and social figure.

Born into a poor Negro family, Robeson received a law degree from Columbia University in New York. He performed as a dramatic actor in American and British theaters. His best role was that of Othello, which he performed in 1930 at the Savoy Theatre in London. In 1925, Robeson debuted as a singer with a performance of Negro folk songs. He became internationally known after his concert tour through Europe from 1926 to 1928. In 1936 and 1937, Robeson performed for antifascist fighters in Spain. During World War II he made passionate pleas to his audiences to join the struggle against fascism. He toured a great deal until the 1960’s, including the USSR, which he had visited for the first time in 1934.

Robeson possessed a soft and deep bass with a beautiful timbre and a wide range. He sang in 20 languages, and his repertoire included Negro and American folk songs, songs by Spanish and German antifascists, including songs from the repertoire of E. Busch, and folk songs from the USSR. In 1933 he made his first film. Robeson was a member of the World Peace Council and, from 1958, an honorary professor of the Moscow Conservatory. He received the International Peace Prize in 1950 and the International Lenin Prize For Strengthening Peace Among Nations in 1952.


In Russian translation:
Na tom ia stoiu. Moscow, 1958.
“Mysli artista.” Sovetskaia muzyka, 1958, no. 11.


Gorokhov, V. Pol’ Robson. Moscow, 1952.
Afinogenov, A. Dnevniki i zapisnye knizhki. Moscow, 1960. Pages 203, 528.
Kudrov, K. “Pevets bor’by, pevets svobody.” Sovetskaia kul’tura, Apr. 6, 1973.
Robeson, E. G. Paul Robeson, Negro. New York, 1930.
Seton, M. Paul Robeson. London, 1958.


The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.

Robeson, Paul (Bustill)

(1898–1976) stage actor, singer, political activist; born in Princeton, N.J. At Rutgers University, he was a 4-letter man, a 2-year All-American in football, valedictorian, and a Phi Beta Kappa at a time when few African-Americans even attended college. He took a law degree at Columbia University, but turned to singing and acting, appearing in plays throughout the world, in movies, on concert stages, and on recordings. He was especially known for his renditions of black spirituals, while his most famous stage role was in Othello. By the late 1930s, he had become increasingly more active and outspoken on behalf of racial justice, social progress, and international peace; when he defied charges that he was a Communist, the government canceled his passport. He spent most of the next 13 years living in Russia and London, returning to the U.S.A. (1963) to live out his last years in poor health.
The Cambridge Dictionary of American Biography, by John S. Bowman. Copyright © Cambridge University Press 1995. Reproduced with permission.
References in periodicals archive ?
He was bestowed honorary master's and doctoral degrees, the Paul Robeson Cultural Center was opened in 1967 and an honors scholarship bears his name.
Bydd modd gweld y cynhyrchiad llwyfan cofiadwy gyda'r gerddoriaeth wedi ei chyfansoddi gan y cerddor Robat Arwyn a'r libreto gan y prifardd Mererid Hopwood am y tro cyntaf erioed ar deledu ar S4C nos Sul 21 Hydref am 7.00pm Mae'r cynhyrchiad yn ddathliad o berthynas bwysig a phwerus Paul Robeson gyda Chymru, perthynas a ddechreuodd yn Llundain yn ystod Gorymdeithiau Newyn glowyr de Cymru yn 1927, ac a barhaodd tan ei farwolaeth.
Caption: Paul Robeson in 1942 --Library of Congress/FSA/OWI Collection /Gordon Parks
(2.) "Robeson Songbook;" Paul Robeson Papers, Moorland-Spingarn Research Center, Howard University, Box 21; hereafter PRP-21.
"I was about 14 years old, and not knowing who Paul Robeson was, this black American in Wales, it seemed strange.
Second, in this article I explore Paul Robeson's connections and commitment to the African anti-colonial struggle, and in particular the struggle against apartheid in South Africa.
He never mentioned his meeting with Feffer, except to his son, Paul Robeson Jr., who in turn described the meeting to one of his father's biographers, Martin Bauml Duberman.
By 1945 my father's recordings were so well known that in America and most other parts of the world, if you said Paul, everyone knew you meant Paul Robeson. Today, the recorded sound of what many have called the voice of the century is returning to America's cultural mainstream as the celebration of the centennial of my father's birth unfolds around the globe after a half-century of banishment.
I had the privilege of hearing Paul Robeson in Montreal during wartime when he sang there and of meeting him at two private receptions.
Singer, actor and athlete Paul Robeson knew this, but continued to fight against inequality.
TAYO Aluko recalls down to the day and even the hour when he first performed as Paul Robeson.