Penthesilea


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Penthesilea

(pĕn'thĕsəlē`ə), in Greek mythology, an Amazon queen. In the Trojan War, she led a troop of Amazons against the Greeks. She was killed by Achilles, who then fell in love with her dead body.
References in periodicals archive ?
Both The Broken Jug and Penthesilea offer intriguing insights into how certain aspects of Banville's aesthetic, via Kleist, find expression on stage but this essay will primarily focus on both God's Gift and The Infinities because both play and novel are versions of Kleist's play, which is itself an adaptation of Moliere's comic version of the Greek myth.
The author first dedicates his pamphlet to Julius Caesar in the hopes that Caesar--the great architect of civilization, nation building, and expansion--can defend the writing "from the biting lawes of snatching carpers" The queen's presence is then directly connected to Troy and Penthesilea, for Aske describes her as "nought vnlike the Amazonian Queene, / .
Penthesilea, queen of the Amazons, slain by Achilles; Pentheus, the unfortunate son of Agave who resisted the new cult of Dionysus and was torn to pieces by bacchant women among whom was his mother--the plot of Euripides' Bacchae.
Bailey also errs in ascribing to Anna the Amazonian role of Penthesilea in Jonson's Masque of Queenes (p.
I expect Noble Galileo to be competitive against the likes of Jim Bolger's progressive filly PENTHESILEA EILE and FRANKLINS TRAIL, a decent older horse trained by Willie Mullins.
They are unparalleled; it is hard to argue with Bisky's claim that Penthesilea is 'das grosste Werk der deutschen Literatur neben Faust und Wallenstein'.
Despite his glib psychosexual politics, scribe makes clever work of Riefenstahl, imagined here as an egomaniacal film director who has cast herself as Penthesilea, the Amazon warrior queen who falls in love with her enemy.
She closely examines the process of becoming a man by killing, or contemplating killing other men in Holderlin's Hyperion, analyzes von Gunderrode's remarks from the margins on the essential nature of the duel within the context of the theme of war, the variously gendered expressions of eroticism in Kleist's Penthesilea, the genderings of nation in the literary and artistic works of Goethe, Schinkel and Arndt, and the return to warlike Romanticism of Brentano-von Arnim.
I have married a Penthesilea, a Semiramis, sold my liberty to a distaff
Acknowledging this problem, Jeffrey Sammons and Jost Hermand make a virtue of necessity by offering critical surveys of the secondary literature on Amphitryon and Penthesilea respectively.