Peter Huchel


Also found in: Wikipedia.
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Huchel, Peter

 

Born Apr. 3, 1903, in Lichterfelde. German poet.

Huchel emigrated from the German Democratic Republic to Italy in 1971. His work first appeared in 1924. While the fascists were in power, he published nothing. During World War II, Huchel served in the Wehrmacht and was a prisoner of war in the USSR. He was the artistic director of Berlin Radio from 1945 to 1948 and editor in chief of the magazine Sinn und Form from 1948 to 1962.

Huchel is a master of the pastoral and philosophic lyric. In the 1940’s and 1950’s some of his poems dealt with the socialist transformation of the world, but social and civic motifs subsequently became less typical of his verse. He is the author of the collections of lyric poems Roads, Roads (1963) and The Counted Days (1972). Huchel has received many literary prizes and belongs to a number of academies.

WORKS

Die Sternenreuse: Gedichte 1925–1947. Munich, 1967.
In Russian translation:
In Nemetskaia poeziia 1954–1959. Moscow, 1960.

REFERENCE

Ratgauz, G. “Vremia nadezhdy.” Voprosy literatury, 1966, no. 11.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
He is a winner of the prestigious Peter Huchel Poetry Award and
After mentoring a number of younger Berlin poets in the 1990s and early 2000s, he wrote a polemic in 2007 protesting the award of the prestigious Peter Huchel Prize to Uljana Wolf.
The brief but intense exchange centres on the poet Peter Huchel, a friend of Kunze and, like Kunze himself, one of those poets whom Gansel has translated.
I am grateful to Kuschel for introducing me to his conversation partners, only a few of whom I already knew: Kurt Tucholsky, Gunter Kunert, Wolfgang Hildesheimer, Christa Wolf, Gunter Grass, Kurt Marti, Max Frisch, Peter Weiss, Rolf Hochhuth, Alexander Solzhenitsyn, Thomas Mann, Friedrich Durrenmatt, Made Luise Kaschnitz, Heinrich Heine, Elie Wiesel, Zvi Kolitz, Erich Kastner, Ilse Aichinger, Peter Huchel, Heinrich Boll, Anna Seghers, William Faulkner, Nagib Mahfouz, Augusto Roa Bastos, Cingiz Ajmatov, Friedrich Gottlieb Klopstock, Johann Wolfgang von Goethe, Leo Tolstoy.
Nearly 50 years after World War II's carnage, we are still more familiar with the names of the Third Reich's leaders than with those of Else Lasker-Schuler, Gottfried Benn, Gunter Eich, Karl Krolov, Ingeborg Bachmann, or Peter Huchel. Apparently, the dust hasn't settled yet.
Becher, Johannes Bobrowski, Erich Fried, and Gerhard Ruhm; in the 1960s and 1970s, in poems by Kurt Bartsch, Nicolas Born, Paul Celan, Peter Huchel, and Wolfgang Hilbig; and in the 1980s and 1990s, in poems by Hilde Domin, Durs Grunbein, Ulla Hahn, Sarah Kirsch, Barbara Kohler, Gunter Kunert, and Richard Pietrass.
Peter Huchel. Wie soll man da Gedichte schreiben: Briefe 1925-1977 Hub Nijssen, ed.
Becher, Bertolt Brecht, Gunter Eich, and Peter Huchel. Eich and Huchel convincingly .t the restorative paradigm, since they belonged to the young generation of 'non-Nazi' writers at the centre of Schafer's thesis.
Peter Huchel Prize in 1988 and the Heinrich Mann Prize in 1993.
He knew many of the writers personally, and his essays tell of his friendship with Peter Huchel and Uwe Johnson, among others.
In a detailed piece Ludwig Volker analyses Kaschnitz's response to death in her poetry, focusing particularly on a number of characteristic motifs, while Hubert Ohl offers a fascinating insight into the poet Peter Huchel's role as editor of the idiosyncratic volume of her Gedichte (1975), showing how clearly he brought out her radical edge and (although Ohl does not say this) how much sharper he was in editing Kaschnitz's work than she herself was.
His prizes include the Peter Huchel Prize (1995), the Georg Buchner