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La, tout m'est absolument precieux [...] Je demande que l'on detruise [...] Je demande que l'on brule [...] je demande bien entendu qu'il soit aneanti [...]" (Quella-Villeger, Chez Pierre Loti 116-17).
"D'Apres loti": d'un changement de sujet
(8.) De Smet's perception of Loti would not have been an uncommon one, since "In England, America, France, and Germany, readers of Hearn's books and popular articles preferred his accounts to those of an earlier favorite (and a favorite of Hearn himself), Pierre Loti, and to those of scholarly commentators such as Basil Hall Chamberlain" (Dawson xiv).
Conrad and Lafcadio Hearn: Two Observant Wanderers Writing in Their Adopted Countries
If the Gothic has its threatening, morbid Others, and the Orientalist its culturally "inferior" and often feminized Others, as in the work of Pierre Loti, travel writing has a flexible cast of cultural Others--sometimes benign, sometimes dangerous, but all essentially and necessarily different from the travel writer's original culture, and that of his or her readers.
The Gothic traveler: generic transformations in Lafcadio Hearn and Angela Carter
No, maestro carisimo, (se refiere a Pierre Loti) no.
La topologia del Viaje A Oriente en las cronicas de Enrique Gomez Carrillo
Michener's account of Hana-ogi's "Dear John" letter would have made Pierre Loti proud:
Sunrise, sunset: Japan in the American imagination since World War II
Estas son algunas de las palabras de Emilia Pardo Bazan al referirse al escritor frances Pierre Loti en las paginas de ABC en las que subyacen dos caracteristicas un tanto antagonicas de la personalidad de la ultima dona Emilia: el ideario conservador y la estetica europeizante.
Emilia Pardo Bazan, Un poco de critica. Articulos en el ABC de Madrid (1918-1921)
Las visiones de Gomez Carrillo y Pierre Loti. Una literatura nula.
La inmigracion japonesa no conviene a nuestro pais por potentes razones de costumbres, idioma, talento, raza: el espectador, 21 de enero de 1929
Kipling, the great writer of the British colonies, strikes me as more interesting than his French counterparts, Pierre Loti or Claude Farrere.
Colonial and spy literature: France and England
The first half of the show charts the various incarnations of the 1887 Pierre Loti novel into a David Belasco play and a Puccini opera.
Memory lanes
If the mad Dutchman deserved your gratitude in any way, it was for being the first to whet your appetite for Polynesia, thanks to a little novel that fell into iris hands, and which he loved: The Marriage of Loti by an officer of the French merchant marine, Pierre Loti. The book was set in Tahiti, and it described an earthly paradise before the Fall, where nature was bounteous and beautiful, and the natives free, healthy, and without prejudice or guile, abandoning themselves to life and pleasure with naturalness and spontaneity, full of primitive vigor and enthusiasm.
The house of pleasure: Atuona (HIVA OA), July 1902
Historian Helene De Burgh undertakes a literary analysis of the writings of nineteenth-century author and naval captain Pierre Loti. Finding in Loti a contrast to the predominantly feminised images of colonised men, De Burgh argues: 'Loti offers us a new image of the colonised male as virile, attractive and empowered'.
Editorial
Puccini first took an interest in Pierre Loti's Madame Chrysantheme (1887), but the story had already been transposed for the stage by Andre Messager, who had made it into an operetta (1893).
'East versus West': beyond dichotomy and towards an acknowledgement of differences

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