Polyhymnia

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Polyhymnia

(pŏl'ĭhĭm`nēə): see MusesMuses,
in Greek religion and mythology, patron goddesses of the arts, daughters of Zeus and Mnemosyne. Originally only three, they were later considered as nine. Calliope was the Muse of epic poetry and eloquence; Euterpe, of music or of lyric poetry; Erato, of the poetry of
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Polyhymnia

(religion, spiritualism, and occult)

Polyhymnia, asteroid 33 (the 33rd asteroid to be discovered, on October 28, 1854), is approximately 62 kilometers in diameter and has an orbital period of 4.8 years. Polyhymnia is named after the Greek muse of singing, mime, rhetoric, and sacred dance, who was a daughter of Zeus and Mnemosyne and whose symbol is the veil. Like its mythological namesake, the asteroid Polyhymnia confers talent in singing, dance, mime, and rhetoric to natives in whose chart it is prominent.

Sources:

Kowal, Charles T. Asteroids: Their Nature and Utilization. Chichester, West Sussex, UK: Ellis Horwood Limited, 1988.

Room, Adrian. Dictionary of Astronomical Names. London: Routledge, 1988.

Schwartz, Jacob. Asteroid Name Encyclopedia. St. Paul, MN: Llewellyn Publications, 1995.

The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Polyhymnia

in Greek mythology, one of the nine Muses, the patroness of sacred hymns and of music.

Polyhymnia

muse of lyric poetry; presided over singing. [Gk. Myth.: Brewer Dictionary, 849]

See: Harmony

Polyhymnia

Muse of sacred song. [Gk. Myth.: Howe, 172]

See: Music

Polyhymnia

Greek myth the Muse of singing, mime, and sacred dance

Collins Discovery Encyclopedia, 1st edition © HarperCollins Publishers 2005

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References in periodicals archive ?

In Odes 1.1.33-34 Horace's request was that Polyhymnia should allow him to tune his lyre and practice his vocation.

Horace's claim to fame in Odes book 1: a question of expectations?

And this may be the consequence of Sancho's choice, since Polyhymnia (one of the muses he refused) presides over the sacred: a choice that leads to Sancho's lamentations.

Sancho as a thief of time and art: Ovid's Fasti and Cervantes' Don Quixote 2

THE MUSE POLYHYMNIA" THE JUDGE AS MORAL ARBITER AND THE PROBLEM OF CREEPING JUDICIALIZATION OF EVERYDAY POLITICS

Judges in Contemporary Democracy: An International Conversation

The recordings have all been remastered from their original four-channel tapes using Polyhymnia's in-house equipment and have been kept, the booklet tells us, in their original four-channel versions, with no attempt to artificially introduce a fifth or center channel or a subwoofer channel.

PentaTone Classics: Remastered Quadro Recordings from the Philips and Decca catalogues

Praetorius, Polyhymnia Caduceatrix et Panegyrica 1619, ed.

Polyphonic keyboard accompaniment in the early Baroque: an alternative to basso continuo

Differentiation began with the 8th-century-BC poet Hesiod, who mentioned the names of Clio, Euterpe, Thalia, Melpomene, Terpsichore, Erato, Polymnia (Polyhymnia), Urania, and Calliope, who was their chief.

muse

As Polyhymnia, Apollo's muse of pantomime, she danced with one finger pressed to her lips with finesse and charm.

Devon Teuscher: blossoming in ABT's corps

He acknowledges that there is only one condition, namely that two of the daughters of Memory, the muses, Euterpe and Polyhymnia, should do their duty and guarantee "remembrance" of his work.

Celebrating the past: horace's odes as aide memoire

Michael Praetorius devotes substantial sections of the lengthy eighth chapter of Syntagma musicum, iii, part 3, to discussion of the use of trumpets and drums in numerous sacred compositions from his own Polyhymnia Heroica seu Fusicinia & Tympanistria I.II.

Monteverdi's 'Mass of Thanksgiving' revisited

During her three SAB summers, Peck remembers learning Polyhymnia's solo from Apollo, the corps dance from Concerto Barocco, and the Gaillarde from Agon.

Beyond technique: why repertory classes are the ultimate summer bonus

The Apollo, in which d'Amboise is complemented by Jillana (Calliope), Francia Russell (Polyhymnia), and Diana Adams (Terpsichore), is essential viewing.

The Apollo next door

Between 1926 and 1936, she danced in twelve Balanchine ballets, creating the role of Polyhymnia in Apollon musagete (later Apollo) in 1928, and the Siren in Prodigal Son in 1929.

Remembering Doubrovska: elegant Balanchine ballerina kept a close eye on her students--onstage and off

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