These "rhythms of reciprocity" are the matrix of the Ringshout Aesthetic, for it is the polyrhythms
that articulate a philosophical system of balance and reciprocity between a range of seeming dichotomies that include amongst others, the individual and the collective, the old and new world; the sacred and the secular, the oral and the written; the intellectual and the spiritual; the living, the dead and the unborn.
23) Example 8 illustrates kendang phrases within the pengawak: a duple-based par aphrase of the reong part (first and second lines) (24) sounds until a cueing gesture, shortly preceding the entrance of the gangsas, leads into a polyrhythm
of two-against-three (third line).
Jazz arose in the early 1900s as the African genius for polyrhythm
merged with European instrumentation and melody.
GLOBALLY recognised for his technical DJ-ing skills and famed for his work as the Jigmastas, Polyrhythm
Addicts and various productions with solemusic, Rawkus and Nervous to name but a few, Spinna returns to Glasgow next Sunday night, to the Buddaclub.
Joe Louis appears stage left, pummelling a punch bag, creating an extraordinary polyrhythm
with the music performed for the other on-stage virtuosos.
There is no extreme chromaticism here, and little of the nervous syncopation and complex polyrhythm
found in some of Castro's other songs - suavity and continuity prevail in these fluent, gently-moving readings.
Little wonder, then, that Fehr and Ruhr's most recent project, Polyrhythm
Technoir, 2014-, abandons the art world, looking elsewhere to find the political agency for which the art-student voices in The Production Line of Happiness seem to pine.
Similarly the beginning of the Double Concerto (1961) creates a polyrhythm
often different speeds presenting one interval after another, each one associated with a particular speed that is used later in the piece.
The rhythmic movement is that of a gentle lullaby with a prominent floating two versus three polyrhythm
(several rhythms jangling in the body simultaneously) is addictive.
He says: "There was a constantly-shifting polyrhythm
depending on their distance from each other.
and rarely conveys how Zollar manipulates space and polyrhythm