Portland vase

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Portland vase,

a Roman glass vase, known also as the Barberini vase. It is an unusually fine work of the late Augustan era (early 1st cent. B.C.). About 10 in. (25 cm) high and 22 in. (56 cm) in circumference, it is made of a deep, violet-blue glass overlaid with opaque, white glass into which figures are cut in cameo relief. The mythological scene probably represents Peleus and Thetis accompanied by Poseidon on one side and Aphrodite on the other; on the bottom there is a bust of a young man in a Phrygian cap, possibly Paris. The vase, found in an ancient marble sarcophagus excavated at Monte del Grano near Rome in the pontificate of Urban VIII (1623–44), was placed in the palace of the Barberini family. Sold c.1782, it passed through several hands until acquired by the Duke of Portland. It was lent in 1810 to the British Museum. While on loan it was vandalized and completely shattered (1845) but was so skillfully reconstructed that little trace of the destruction remains. In 1945 it was bought by the British Museum. The vase has been widely reproduced and copied; the most famous replicas were made (c.1789) in jasper ware by Josiah Wedgwood.


See W. Mankowitz, The Portland Vase and the Wedgwood Copies (1954).

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References in periodicals archive ?
|The solid black jasperware copy of the Portland Vase
Wedgwood was assisted with the relief work on the Portland Vase by Josiah II and by the modellers Hackwood and Henry Webber (1754-1826).
FACTFILE Josiah Wedgwood's copy of the Portland vase Black jasper with white reliefs, this vase is a copy after the famous Roman cameo-glass vase once owned by the Duchess of Portland.
Chapter 5, "Cockney Classicism: History with Footnotes," gives us a 40-page reading of Ode on a Grecian Urn, starting with the Portland Vase in the British Museum (one of the urns less often mentioned in discussions of the poem) and the politics of its owners, Lord and Lady Hamilton (the latter was Nelson's Emma), and going on to Lady Hamilton's famous "attitudes" (highly publicized performances of costumed poses to illustrate emotions) in connection with the "Fair attitude" of Keats's final stanza.
It was Flaxman who fired in Josiah Wedgwood his enthusiasm for the Portland vase .
The meaning of the frieze on the ancient Portland vase has eluded scholars for centuries--now an American graduate student may have unlocked its secret.
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The collection contains examples of Josiah Wedgwood's attempts to replicate the Portland Vase, a Roman artefact which the ceramics pioneer dedicated four years to reproducing in jasperware.
New displays will highlight very rare objects such as two copies of the celebrated Portland Vase and three - of possibly only four in the world - complete jasperware fireplaces.
The reproduction of the Portland Vase in 1789 was regarded as one of the applied arts triumphs of its time, but it wasn't achieved without trialand error, and the display includes several unsuccessful attempts revealing firing problems.
The Duchess is all but forgotten and her name lives on through the name of a rose and The Portland Vase, a Roman glass vessel from the 1st century BC which was one of the most important pieces in her museum.
The gallery is displaying some of the Greek vases he collected along with a Wedgwood copy of the Portland Vase, an iconic piece which was once in Sir William's possession.

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