Postlude


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Postlude

 

a supplementary section of a musical work; most often, the instrumental conclusion of a vocal composition (an art song or a song). Sometimes, the postlude is used in instrumental works (Hindemith’s Ludus Tonalis [Play of Tonalities] for piano).

References in periodicals archive ?
Songs seven to nine from Dichterliebe are representative of such consecutive contrasts: the menacing fiddler's music at the beloved's wedding in "Das ist ein Floten und Geigen," followed by the tears of "Hor ich" (discussed above), with its poignant climax in the postlude, and the biting sarcasm of "Ein Jungling liebt ein Madchen," demand superb control of constantly changing dynamics, timing, atmosphere, color, and mood.
However, the interlude and postlude of Yakushev are much longer than Hayakawa's.
The enthusiasm with which the dancer recounts the genesis, zenith, and glorious postlude of his performing history is the same quality that attracted choreographers and thrilled audiences for almost four decades.
There are also Artist Showcase concerts at Holley Hall (June 1, 8 and 15) and, of course, free concerts presented by the festival's talented students, June 4, 8, 10, 15 and 16, along with the popular Student Postlude Performances following the concerts on June 2, 9 and 16.
However, in the postlude of a pontificate which saw the canonization of several married saints, perhaps Alfred would have had a higher rating with John Paul II.
In another attempt to capture a bit of Hollywood stardust, the Philharmonic has augmented its opening-night, all-Beethoven gala with actor Ed Harris (``The Hours,'' ``Pollack''), who will read letters by the composer as prelude and postlude to music performed by the orchestra and piano soloist Evgeny Kissin.
In a somewhat catch-all concluding section, five more contributors address critical issues and the postlude to Victorianism, with varying degrees of success.
The second Postlude is performed by Simon Fordham on solo violin, while the third is performed by Ms.
The final words come in an illuminating postlude by Malcolm Bowie.
Finally, there is a postlude in which Jacobs takes up the effects of charitable interpretation on its practitioners, and he ends by suggesting the deeply comedic nature of that interpretation.
The postlude that forms the second half of the volume is not easy reading for those of us unschooled in Christology or Catholic theology.
What you're hoping is that the confessor's attention will wander with the prelude of lesser faults or that he will refocus on the postlude of misdemeanors.