Puvis de Chavannes


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Puvis de Chavannes

Pierre Cécile . 1824--98, French mural painter
References in classic literature ?
Already Puvis de Chavannes, by one of his superb panels in the Boston Library, has admitted the telephone and the telegraph to the world of art.
Puvis de Chavannes refused to be involved, and Monet was reluctant to see his paintings 'go to Yankee country' (they eventually did).
Both Pierre Puvis de Chavannes at his most erotically cryptic (The Beheading of St.
Genevieve by Puvis de Chavannes and the martyrdoms in the Golden Legend in which "all human experiences, measured against one supreme spiritual existence, were of about the same importance" (OW 9).
Other pre-symbolist artists were Pierre Puvis de Chavannes (1824-1898), and Gustave Moreau (1826-1898).
Sister Wendy and Tufnell discussed two paintings featuring scenes from the life of St John the Baptist: Neri di Bicci's St John the Baptist leaving for the Desert, and The Beheading of St John the Baptist by Pierre-Ccile Puvis de Chavannes.
He knew and was influenced by such significant European artists as John Singer Sargent, Pierre Cecile Puvis de Chavannes and Pierre Auguste Renoir.
Communication with the world outside was possible only via carrier pigeon and hot-air balloon, a circumstance most eloquently depicted by Puvis de Chavannes in a pair of large allegorical paintings.
Some of these figures, such as Pierre Puvis de Chavannes, Edouard Detaille, and Leon Lhermitte, had considerable reputations at the time.
The Symbolist art that emerged under this influence, depicting a real unreality, can be found in the pagan demons of Arnold Bocklin, the "unreal ambience," in the words of the Belgian poet Georges Rodenbach, of Pierre Puvis de Chavannes, the phantasmagoria of Odilon Redon, and a host of lesser artists and illustrators across Europe, all experimenting with different permutations of Symbolism, mysticism, and the styles of Art Nouveau (Goldwater's book is unrivaled in its comparison of Symbolism to Art Nouveau).
Influenced by the Post-Impressionists, the Symbolists and Puvis de Chavannes, he was in continuous rebellion against academic conservatism, but he depended on his academic skills, rather than invention, to maintain his practice.
published a remarkable character sketch of Pierre Puvis de Chavannes, late Presdt.