Redcode


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Redcode

(language)
The ICWS standard language for Core War "battle programs".

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Consistent with the rest of RED's DSMC2 line-up, DRAGON-X offers 300 MB/s data transfer speeds and simultaneous recording of REDCODE RAW and Apple ProRes or Avid DNxHD/HR.
With optics, camera and colour working together as an integrated camera system, the Millennium DXL is able to capture 8K images using the REDCode RAW codec, a visually lossless compression algorithm.
Features of RED RAVEN includes a 4K RED DRAGON sensor, with capacity to record REDCODE RAW (R3D) in 4K at up to 120 fps and in 2K at up to 240 fps.
Redcode patient radiological investigations were performed and reviewed in less than an hour.
The Redcode RAW codec is also officially included, although this hasn't been released yet.
Additionally, RED will demonstrate an 8K workflow, covering 8K Redcode Raw, HDR, and its enhanced image processing pipeline (IPP2).
Weapon shoots simultaneous Redcode Raw and Apple ProRes or Avid DNxHD/HR recording and adheres, as per the company spokesperson, to the company's dedication to obsolescence obsolete, a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new gear.
The EPIC-W is capable of recording REDCODE RAW and proxy 4K Apple ProRes or Avid DNxHR/HD formats simultaneously.
All of RED's DSMC2 cameras offer superior image quality, incredible dynamic range, simultaneous recording of REDCODE RAW and Apple ProRes or Avid DNxHR/HD, and adhere to the company's dedication to OBSOLESCENCE OBSOLETE -- a core operating principle that allows current RED owners to move between DSMC2 cameras without having to purchase all new gear.
It had a brand-new HELIUM S35 sensor capable of capturing 8K at 30fps, with 16.5+ stops of dynamic range, 275MB/s data speeds and REDCODE RAW + Apple ProRes.
All of RED's DSMC2 cameras offer incredible dynamic range, shoot simultaneous REDCODE RAW and Apple ProRes or Avid DNxHD/HR recording and adhere to the company's dedication to OBSOLESCENCE OBSOLETE -- a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new gear.
It also supports third party editing solutions including Adobe Premiere and Apple Final Cut Pro, and a wide variety of hi-res media formats including Avid DNxHR, REDCODE 5K, 4K DCI (DPX), ProRes, XAVC, and Sony F55 RAW 4K.