Redcode


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Redcode

(language)
The ICWS standard language for Core War "battle programs".

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Weapon shoots simultaneous Redcode Raw and Apple ProRes or Avid DNxHD/HR recording and adheres, as per the company spokesperson, to the company's dedication to obsolescence obsolete, a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new gear.
Features of RED RAVEN includes a 4K RED DRAGON sensor, with capacity to record REDCODE RAW (R3D) in 4K at up to 120 fps and in 2K at up to 240 fps.
Redcode patient radiological investigations were performed and reviewed in less than an hour.
The Redcode RAW codec is also officially included, although this hasn't been released yet.
The G-RAID with Thunderbolt drive delivers up to 280MB/sec sustained throughput for handling multi-stream compressed HD workflows, including REDCODE, DVCPro HD, XDCAM HD and ProRes 422.
The EPIC-W is capable of recording REDCODE RAW and proxy 4K Apple ProRes or Avid DNxHR/HD formats simultaneously.
The ability to record ProRes directly from the live HD videotap output from a RED ONE on a small portable device, while capturing the 4k REDCODE raw on the camera is a big deal.
All of RED's DSMC2 cameras offer superior image quality, incredible dynamic range, simultaneous recording of REDCODE RAW and Apple ProRes or Avid DNxHR/HD, and adhere to the company's dedication to OBSOLESCENCE OBSOLETE -- a core operating principle that allows current RED owners to move between DSMC2 cameras without having to purchase all new gear.
See Demo of Initial REDCODE RAW Workflow with SCRATCH and Adobe Creative Suite 3 Software at IBC 08
5+ stops of dynamic range, 275MB/s data speeds and REDCODE RAW + Apple ProRes.
A single G-SPEED eS unit supports: -- Multi-stream DV, HDV, DVCPRO HD, REDCODE, ProRes 422 & uncompressed SD playback in RAID 0 or RAID 5 mode -- Single-stream 8-bit, 1080/60i HD playback in RAID 0 mode -- Two G-SPEED eS units support: -- Multi-stream playback of all the above video formats plus 10-bit, 1080i/60 HD in RAID 0 or protected RAID 5 mode
All of RED's DSMC2 cameras offer incredible dynamic range, shoot simultaneous REDCODE RAW and Apple ProRes or Avid DNxHD/HR recording and adhere to the company's dedication to OBSOLESCENCE OBSOLETE -- a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new gear.