(Berta Helene Amalie Riefenstahl) (lā`nē rē`fənshtäl', bĕr`tə hālā`nə ämäl`yə), 1902–2003, German filmmaker, b. Berlin. First a dancer, then an actress, she began directing her own films in 1932. Her Triumph of the Will (1935) documented a huge Nazi rally at NurembergNuremberg , Ger. Nürnberg , city (1994 pop. 498,945), Bavaria, S Germany, on the Pegnitz River and the Rhine-Main-Danube Canal. One of the great historic cities of Germany, Nuremberg is now an important commercial, industrial, and transportation center. .....Click the link for more information. using such innovative techniques as moving cameras, telephoto lenses, and unusual camera angles to produce startling black-and-white footage with wide panoramas and striking closeups, thus dramatizing and glamorizing the ritualistic political event. The film brought her widespread attention as well as HitlerHitler, Adolf , 1889–1945, founder and leader of National Socialism (Nazism), and German dictator, b. Braunau in Upper Austria. Early Life
The son of Alois Hitler (1837–1903), an Austrian customs official, Adolf Hitler dropped out of high school, and .....Click the link for more information.'s favor and friendship, and she was commissioned to film the 1936 Berlin Olympics (Olympia, 1938). The latter film has been hailed for its lyrical technique. Riefenstahl has sometimes been praised as a visionary and a technically pioneering filmmaker. She also, however, has been condemned as a Nazi propagandist, and her 1930s work has been regarded as inseparable from the propaganda purposes for which they were made. Riefenstahl's connections with the Nazis led to her being blacklisted after 1945. Her later film and photographic work includes underwater pictures and studies of Africa.
See her memoir (1993); biographies by G. B. Infield (1976), T. Leeflang (1991), S. Bach (2007), and J. Trimborn (2007); study by C. C. Graham (1986); A. Taschen, Leni Riefenstahl: Five Lives: A Biography in Pictures (2000); R. Müller, dir., The Wonderful, Horrible Life of Leni Riefenstahl (film, 1993).
Also included is documentation of the Nuremberg Rallies, with numerous propaganda postcards containing signatures of participants, including Leni Reifenstahl, the famed director of Berlin Olympics 1939 film, and a letter from Robert Ley, who was in charge of slave labor recruitment, written just before hanging himself in a Nuremberg prison.
But Frentz, popularly known as Hitler's photographer, though he never formally held that position, had seen the glory days as well, working as an assistant to Leni Reifenstahl to make documentaries of the Nazi rallies and then her two films about the 1936 Berlin Olympics.