Richardsonian Romanesque style

Richardsonian Romanesque style, Romanesque Revival

Richardsonian Romanesque
The massive architectural style, from 1880 to 1900 and beyond, as practiced by Henry Hobson Richardson (1838–1886) and his followers; an outgrowth of earlier architecture making use of architectural elements of the Romanesque style, chiefly in public buildings, churches, railroad terminals, and universities designed from 1840 to 1880. Buildings in this style usually exhibit many of the following characteristics: a façade of rough-cut rock-faced masonry, and different colors and textures of stone, occasionally in combination with decorative brickwork; massive semicircular arches, sometimes in combination with flat arches; clustered arches or piers; a decorative tympanum; parapeted gable ends; short, thick columns, occasionally with cushion capitals; bands of engaged colonettes; decorative plaques; a roof covering of slate or tile; one or more cross gables; decorative cresting or decorative tile at the ridge of the roof; a tower with a steep roof and/or topped with a finial; a steeply pitched, hipped roof with little roof overhang at the eaves; a decorative chimney; double-hung windows, often arched or rectangular; deeply recessed window opening; window openings framed by round arches having hooded moldings, often with label stops; often, a circular or semicircular window in a wall gable; doors usually deeply set within massive semicircular or segmental masonry arches ornamented with Romanesque decorations. Also called Neo-Romanesque or Romanesque Revival. See Victorian Romanesque.
References in periodicals archive ?
Most of the structures have been torn down, leaving only the five sandstone buildings Francis Clergue built as part of the original mill development in the early 1900s, which are noteworthy fOr their Richardsonian Romanesque style, characterized by round arches, semi-circular arches on windows and belt courses.
The original edifice, designed in the Richardsonian Romanesque style by architect James McLaughlin, is now surrounded by a later addition that features a Beaux Arts facade.
The red-brick construction and semi-circular bay window facing the track are characteristic of the Richardsonian Romanesque style.
Cross Market Street to the old San Jose post office, built in 1892 in robust Richardsonian Romanesque style.
He employed the Richardsonian Romanesque style in the Eugene building, featuring asymmetrical placement of a clock tower.