Sacripant

Sacripant

noisy braggart. [Ital. Lit.: Secchia Rapita, Brewer Handbook, 945]
Allusions—Cultural, Literary, Biblical, and Historical: A Thematic Dictionary. Copyright 2008 The Gale Group, Inc. All rights reserved.
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E nesse movimento de questionar o lexico e escrutar o objeto como quem procura vestigios, o poeta acaba por se deparar com o que procurava: " Finalement j'ai trouve un mot, il existe, je ne l'ai pas invente [...], alors: sacripant, un rose sacripant" Para dai chegar a prova : "[...] je vais au dictionnaire plusieurs semaines plus tard.
Upon receiving confirmation from Orgalia that Sacripant's Man is Medor, Orlando chases him offstage and "rends him as one would tear a lark," returning to the stage with the Man's leg around his neck.
We stand for realities present, not futures sentimental or pasts sacripant. The southern vortex is maximum energy, a reminder of change and harbinger of changes to come.
And while vainly pursuing his quest hither and thither, full of care and anxiety, he came across Ferrau, Brandimart, King Gradasso, and King Sacripant and other knights who were also searching high and low, pursuing a quest as fruitless as his own.
(The Machiavel Sacripant, who intends to pluck both Angelica and the crown from the weakened victor, gleefully commands 'sweet Reuenge' to 'incense their angrie mindes" [1.1.243].) (47) When Sacripant's own suit is rejected, he moves to 'quittance all [his] ills' by framing Angela as an adulteress: her furious father, after hearing the report, vows ironically that 'Theseus in his rage / Did neuer more reuenge his wrongd Hyppolitus / Than I will on the false Angelica' (2.1.499, 732-4).
70) of many of the characters, the novel's final 'bal de tetes', Odette as both Miss Sacripant and Botticelli painting, the moving beauty spot of the 'deesse a plusieurs tetes' (p.
For example, as a boy at his uncle's house, Marcel sees a woman in a rose dress who, in due course, becomes Miss Sacripant, then Odette de Crecy, Madame Swann, and Madame de Forcheville.
While she rested, Sacripant, Circassia's king, came riding through the forest.
Miss Sacripant, for example, his painting of Odette, emblematizes sexual undecidability by the androgynous pose Odette, in transvestite costume, strikes.