San Francisco Ballet

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San Francisco Ballet,

America's first classical ballet company, est. 1933 as the San Francisco Opera Ballet by the dancer Adolph Bolm. Based at the War Memorial Opera House, it presents both classical and contemporary ballets. Willam Christensen, a principal soloist there from 1937, became ballet master and choreographer in 1938. In 1942, with his brother Harold, who headed its school from 1940 to 1975, he purchased the company from the opera and renamed it. His brother Lew joined Willam as co-director in 1951 and continued as director when Willam left to start the Utah Civic Ballet. Michael Smuin was co-director from 1976 until Harold's death in 1984; Helgi Tómasson became director in 1985. The company was the first to produce complete versions of Coppélia (1938), Swan Lake (1940), and The Nutcracker (1944) in the United States.
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References in periodicals archive ?
"He's my best friend and before my last visit, I sent my materials in to San Francisco Ballet to take company class.
By then, Paris buzzed with rumors about Helgi Tomasson's major overhaul of the San Francisco Ballet. Endorsements came from Maffre's French colleagues, Karin Averty and Jean-Charles Gil, who had danced in San Francisco in the late 1980s.
Welch won a scholarship to the San Francisco Ballet School, returned home, joined the Australian Ballet, and danced all over the repertoire, famously as the horse-blinding protagonist in a ballet based on Equus.
At San Francisco Ballet, the role of lead Russian is practically synonymous with principal dancer Guennadi Nedviguine--who is, serendipitously, Russian.
Kim Okumura is a Los Angeles writer who danced with San Francisco Ballet.
Lean and handsome, San Francisco Ballet principal Ruben Martin, 28, seems the perfect embodiment of Robbins' feline, self-regarding Narcissus, evoking a lazy, summertime encounter with an economy of movement.
Both left principal positions at the San Francisco Ballet, where Diana had danced for 11 years, since joining at the age of 16.
Arnold was a soloist and, later, ballet mistress with San Francisco Ballet under Lew Christensen.
If the dancers of today's San Francisco Ballet add up to an international array of artists, much of the credit goes to Yuri Possokhov, who retired at the end of the 2006 repertory season.
Absent from Manhattan for four years, the San Francisco Ballet bows at the Lincoln Center Festival with four New York premieres, three of them commissioned by the mighty company from the West.

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