Louis Armstrong

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Armstrong, Louis

(Daniel Louis Armstrong), known as "Satchmo" and "Pops," 1901–1971, American jazz trumpet virtuoso, singer, and bandleader, b. New Orleans. He learned to play the cornet in the band of the Waif's Home in New Orleans, and after playing with Kid Ory's orchestra he made several trips (1918–21) with a Mississippi riverboat band. He joined (1922) King OliverOliver, King
(Joseph Oliver), 1885–1938, American jazz musician, b. Abend, La. Oliver began his professional career in 1904 with the Onward Brass Band. After playing with leading bands in New Orleans and establishing himself as a master cornetist, he moved to Chicago in
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's group in Chicago, where he met and married the pianist Lilian Hardin. His early playing was noted for improvisation, and his reputation as trumpeter and as vocalist was quickly established. A famous innovator, Armstrong was a major influence on the melodic development of jazz in the 1920s; because of him solo performance attained a position of great importance in jazz. He organized several large bands, worked with most of the masters of jazz (and with many of those in other musical forms), and beginning in 1932 made numerous foreign tours. Armstrong appeared in Broadway shows, at countless jazz festivals, and in several American and foreign films. His archives are housed at Queens College, which also maintains his Queens, N.Y., home as a museum.

Bibliography

See his memoir, Satchmo: My Life in New Orleans (1954, repr. 1986); his selected writings ed. by T. Brothers (1999); biographies by G. Giddens (1988), L. Bergreen (1997), and T. Teachout (2009); study by J. L. Collier (2 vol., 1983–86); J. Berrett, Louis Armstrong Companion (1999).

Armstrong, Louis (Daniel) “Satchmo” (“Pops”)

(1901–71) jazz musician; born in New Orleans. He was an innovative trumpeter and singer who was the leading star of jazz throughout his career. Raised by his mother in extreme poverty, at age 12 he served a term for delinquency at the Colored Waifs Home, where he learned to play the cornet. By 1919 he was playing with Kid Ory's band in New Orleans, and also with Fate Marable on Mississippi riverboats. In 1922, he joined his mentor, King Oliver's trailblazing Creole Jazz Band, in Chicago, and in 1924 he spent a year with Fletcher Henderson's pioneering big band in New York, where he also recorded with Bessie Smith and other leading blues singers. Between 1925 and 1929, he made his classic Hot Five and Hot Seven recordings, which shaped the course of jazz for the next two decades. In 1930, his recording of the pop song "Ain't Misbehavin'" became his first show business hit, and for the next 17 years he appeared as a star soloist with various big bands in an increasingly commercial context. In 1947, he formed his All Stars, a Dixieland-style sextet with which he maintained a constant international touring schedule until his death. He appeared in over 50 films as a musician and entertainer, including New Orleans (1947), Paris Blues (1961), and Hello, Dolly! (1969). His autobiography, Satchmo: My Life in New Orleans, was published in 1954.
References in periodicals archive ?
Teachout's excellent work brings it all together in a warts-and-all biography, probably just the way Satchmo would have wanted it.
In the preface to Satchmo Meckna makes plain his rationale for the encyclopedia, wherein after a survey of the literature he "concluded that there was a great need for a reference book with detailed yet user-friendly entries on topics such as Armstrong's influences, musical style, legacy, friends, family, critics, hobbies, movies, tours, writings and recordings.
Armstrong aficionados could name dozens more albums in addition to these three to arrive at a list of essential Satchmo recordings, but they are certainly representative of the artist's enormous talent and versatility at one stage of his career--and for only one of the many record labels for which he recorded.
Love and the vastly superior Can't Help Lovin' That Man Of Mine from Show Boat made for Anna-Jane Casey a beautifully sung pair of romantic solos; and Matthew Ford's effortless I Love You, Samantha, with ace trumpeter Michael Lovatt providing a wonderful authentic-sounding Satchmo solo, segued perfectly out of the High Society Overture.
Now, in addition to offering WordPress, Django and Google Application Engine websites, DesignPractica will also provide support and development services with all top open-source and hosted eCommerce and CMS systems, such as Magento, Drupal, Volusion, Shopify, Satchmo and others, for small, medium and large businesses in the greater Vancouver region.
20: 2 Bonville Podge, 5-2 Ardpatrick Harry, 5 Starman Shaun, 11-2 Mistley River, 6 Beat Them King, Satchmo.
LOUIS Armstrong, the great Satchmo, memorably sang: "Look for the simple, bare necessities of life.
A Satchmo entered the charts on November 6, 1959, finally reaching number 24.
Worth a try - it's at least 37 years since Satchmo toured.
It doesn't work so well as a studio album, with songs such as Satchmo just by the numbers and a lacklustre version of What A Wonderful World.
Louis Armstrong - Zat You Santa Claus: Distinctive vocals made Satchmo a jazz sensation.
Throughout the years, and particularly during the three decades before his death in 1971, Armstrong amassed a sizeable assortment of material relating to his career and personal relationships that, as presented by Michael Cogswell in Louis Armstrong: The Offstage Story of Satchmo, reveals aspects of Armstrong's interests, creativity, and day-to-day life that heretofore have been largely unexplored.