Satyricon


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Satyricon

tales of vice and luxury in imperial Rome. [Rom. Lit.: Satyricon]

Satyricon

novel by Petronius depicting social excesses in imperial Rome. [Rom. Lit.: Magill II, 938]
Allusions—Cultural, Literary, Biblical, and Historical: A Thematic Dictionary. Copyright 2008 The Gale Group, Inc. All rights reserved.
References in classic literature ?
For, while he was but too ready to accept the position that was almost immediately offered to him on his coming of age, and found, indeed, a subtle pleasure in the thought that he might really become to the London of his own day what to imperial Neronian Rome the author of the Satyricon once had been, yet in his inmost heart he desired to be something more than a mere arbiter elegantiarum, to be consulted on the wearing of a jewel, or the knotting of a necktie, or the conduct of a cane.
Peter is a Hungarian artist who has worked with many bands including the likes of Korpiklaani, Annihilator, Tyr, Mayhem, Powerwolf, Satyricon, Kreator and our Friday headliners, Sabaton.
Francis; La dolce vita and 8 ' and how Rome becomes a place for paganism and Christianity to coexist; the complexity of Fellini Satyricon as an attempt to imagine what antiquity would be if it were to survive forever, with no final fall of Rome and no Christianity to replace it; his depiction of contemporary Rome in its eternal time and internal space in The Temptations of Dr.
This season Braid returns again, as a new member of the Frankfurt Ensemble, for Wagner's Die Walkure and Bruno Maderna's Satyricon.
He won the members' on Owen Little's Tonnerre Bijou, the adjacent on Nick Tamplin's Satyricon, and on the same owner's Arctic Flash he took the men's open, then the maiden on Mr JH Richards' Larry.
Questo articolo presenta i primi risultati della ricerca che sto conducendo intorno ad una traduzione inedita del Satyricon in italiano.
My favourite is from the Satyricon of Petronius (section 50): '[Glass] doesn't stink like bronze, and if it weren't so breakable, I'd prefer it to gold.
One afternoon, he and Carbonell rehearsed a key scene: Their characters have just met and are now out together at the legendary, much-mourned Portland punk club Satyricon. "I'm in love with your mystery, with your every little move, so won't you dance with me before the lights go down for good," yowled Earley, who has a twangy voice and often sings (and speaks) out of the left side of his mouth.
Sedonius Falx's disdain for freedmen seems straight out of Petronius' Trimalchio of the Satyricon, and reiterates generic stereotypes of freedmen that are caricatures, rather than nuanced or based on a nobleman's (or freedman's) lived experience, for which other primary sources exist.
Whereas Sorrentino's confrontation with Fellini's representation of Rome--and most notably with La dolce vita (1960), Satyricon (1969), and Roma (1972)--has been generally highlighted by criticism, Rosi manages to productively reorient the legacy of Neorealism, through the documentary genre, in order to mirror a disconnected and fragmentary cityscape, paying attention at the same time to peripheral and marginal aspects of city life in the tradition of Pier Paolo Pasolini.