Sebastian Brant


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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Brant, Sebastian

 

Born circa 1458 in Strasbourg; died May 10, 1521, in Strasbourg. German writer-humanist. Doctor of law.

In 1494, Brant published a book of verse satires, Ship of Fools, in which he exposed “knights” who earned their living through robbery, usurers who ruined poor people, dishonorable rulers, and self-interested members of the clergy. Brant’s satire was successful even in his own life. In 1877 the book was translated into modern German.

WORKS

Das Narrenschiff. Berlin, 1958.
In Russian translation:
Korabl’ durakov. Moscow, 1965. (Introduction by B. I. Purishev.)

REFERENCES

Purishev, B. I. Ocherki nemetskoi literatury XV-XVII vv. Moscow, 1955.
Zeydel, E. H. Sebastian Brant. New York [1967]. (Bibliography, pp. 157–62.)
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
Each etching is based on a poem from a book called "The Ship of Fools" by Sebastian Brant, which also lends its title to this artwork.
Schmidt aims to read word and image together in his analysis of Sebastian Brant's Ship of Fools, and the twenty-four black-and-white illustrations of its charming woodcuts--many attributed to Albrecht Durer--are a highlight.
This new interest she associates with a series of short works by Swiss humanist Sebastian Brant. Brant and other German writers were interested in monstrous births as religous signs with a possible apocalyptic meaning, supporting the Emperor Maximilian's attempt to unify the Empire and start yet another crusade against the Ottomans.
He believes that the surreal features may have been inspired by German writer Sebastian Brant's book Ship of Fools.
In her lengthy introduction, Pinson discusses Sebastian Brant's influential publication The ship of fools and its subsequent imitators and translations.
Sebastian Brant's celebrated moralistic book The Ship of Fools (Das Narrenschiff) is, incredibly, neither mentioned nor illustrated in the explanation of Bosch's painting of the same name.
The next group, of six papers, is devoted to fifteenth- and sixteenth-century drama, looking in particular at Johannes Reuchlin, Sebastian Brant's Tugent Spyl, Paul Rebhuhn's Susanna, and Theodor Rhodius' Tragoedia Colignius.
Checking the passenger manifesto for "This Ship of Fools" we find that Charlie Chaplin, Bertolt Brecht, Samuel Beckett and Sebastian Brant are on board for the journey back to the University of Oregon's Robinson Theatre.