Seven against Thebes

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Seven against Thebes,

in Greek legend, seven heroes—Polynices, Adrastus, Amphiaraüs, Hippomedon, Capaneus, Tydeus, and Parthenopaeus—who made war on Eteocles, king of Thebes. After the banishment of Oedipus, his sons, Eteocles and Polynices, agreed to reign alternately. When after the first year Eteocles refused to relinquish the throne, Polynices, assisted by Adrastus, king of Argos, organized the expedition known as the Seven against Thebes. All were killed except Adrastus. When Creon, Eteocles' uncle and successor to the throne of Thebes, would not permit the burial of the slain, Theseus marched against Thebes and gave them burial. Euripides' Phoenician Women and Aeschylus' Seven against Thebes are based on this legend.
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References in periodicals archive ?
Referring to the performance's current tour, the director concludes that "the creative team of Seven Against Thebes are taking up the challenge to explore how the instinct of our common survival coincides with our need to remain human...
In "The Praying Women" or "Seven against Thebes" is eponymous becomes a vision over the world.
I am also far from attempting an overall comparative analysis of the plays; prominent themes of both Seven against Thebes and Phoenician Women, which have provided the subject matter of numerous seminal studies (mostly referring to characterisation, setting, gender, myth and the divine), are mentioned or briefly explored only once they become relevant to the contexts concerned with the theme of naming.
Lamentation is a form through which women may express personal grief; however, men in tragedy are sometimes shown trying to control it and, in the fifth century, turn it to the interests of the state, specifically in Aeschylus's Seven against Thebes and Euripides' Suppliants.
This would interest literary scholars, for it is hard to think of any function for this text except to insert in some version of Seven against Thebes .
Only seven tragedies (Persians, Seven Against Thebes, Suppliants, the Oresteia trilogy, and Prometheus Bound) have survived entire.
I well remember my discovery of this some years ago, and the moment of astonished delight when I found myself actually laughing aloud (see 'The End of the Seven against Thebes', CQ 17 [1967], 16ff., and esp.
hi such works as Aeschylus's Seven Against Thebes and Sophocles' Antigone Saxonhouse finds a presentation of the destructiveness of this demand for extreme unity when it is translated to the political arena.
Each play treats the Theban myth and features an aspect of the war of Seven Against Thebes; each conforms to the formula stated above; and each presents Theseus and Athens in a heroic light, as the defenders of the weak from tyrannical force.
For his prophecies, see Oedipus, Seven Against Thebes, and Antigone.
Other plays in this year's festival include Medea by Euripides performed by the Mikhail Chekhov Riga Russian Theatre, Latvia; Seven Against Thebes by Aeschylus performed by the National Theatre of Northern Greece; Oedipus the King by Sophocles produced by Theatro Dentro, Cyprus and The Bacchae by Euripides performed by the Yair Shermen Ensemble, Israel.
First-century Latin poet Statius modeled his Thebaid, a retelling the Seven Against Thebes story, on the Aeneid, but the scholarly judgment of the poem as derivative and inferior has changed since the final decades of the 20th century.