surround sound

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surround sound

A recording and playback system that provides a more realistic audio environment for a home or movie theater compared to the classic stereo configuration. Action movies as well as concerts are greatly enhanced with surround sound techniques. See Immersive Sound.

Today, the most common surround system is the 5.1 layout, which uses six channels in a 2D horizontal plane around the listener at ear level. It comprises left, right and center front channels along with left and right channels toward the rear, plus subwoofer (see home theater speakers).

Virtualized Sound
Surround sound can also be "virtualized" in a soundbar, which is a speaker configuration in the front of the listener. Psychoacoustic technology is used to trick the brain to believe that the sound is also coming from the rear. However, such technology has audible artifacts, such as phasing and a less natural timbre or positioning of sounds, and does not deliver the same surround experience as rear speakers that move air from behind.

To virtualize surround sound in stereo headphones or earbuds, binaural technology is used, but that also has artifacts.

Channel Based
The first audio reproduction used one microphone and one speaker. Subsequently, more microphones were used all mixed into the same monophonic channel. In the late 1950s, stereo players and phonograph records emerged using left and right channels for a more pleasing sound experience. In the 1970s, four-channel sound appeared but was never popular (see quadraphonic sound). Today, the widely used 5.1 speaker setup is typically a channel-based format.

Using channel-based technology over existing delivery formats such as Blu-ray, Auro-3D can deliver a 3D space around the listener without any change in specifications (see Auro-3D).


 mono                1
 stereo     1D       2
 surround   2D       6 (5.1)  8 (7.1)
 Immersive  3D       10 (5.1 + 4 height)
 Immersive  3D       12 (7.1 + 4 height)
 ISO        3D       24 (22.2)

Outputs Up to Eight Channels
The outputs on this Oppo Blu-ray player are wired to their respective amplifier inputs. FL/FR = front left/right. C = center. SL/SR = surround left/right. SBL/SBR = surround back left/right. SW = subwoofer.

Object Based
Object-based audio started in the gaming industry and later migrated to movies with Dolby Atmos, DTS:X and AuroMax, all of which create a more immersive 3D experience. Dolby Atmos and DTS:X use two layers of speakers, while AuroMax's three-layered system can reproduce the reflections generated around the original sources for a more natural sound experience. See Immersive Sound, Dolby Atmos, DTS and Auro-3D.

Object-based audio still relies on channels but includes meta-data. For example, the meta-data can add x-y-z coordinates that describe where the sound should be located. The playback system takes into account the speaker layout and "renders" the sound accordingly. Because the installed speaker layout is often not what the scene creators intended, object-based audio can result in a different sound experience. In addition, quality checking in the recording studio is much more complicated.

Other applications of object-based technology are multiple language support and dialogue volume, both of which provide a level of interactivity for the end user.

A hybrid format combines different technologies. Dolby Atmos and DTS:X are widely known as object formats; however, they use mainly channel-based sound and are thus "hybrid" formats along with MPEG-H and Auro-3D. See Dolby Atmos, DTS, 3D Audio and Auro-3D.
References in periodicals archive ?
It perches on a granite-like stand, is HD-ready, packs LG's XD Engine Image Processor to improve brightness, colour and contrast, and has had its audio tweaked to get big sounds from svelte side speakers. Who knows, with specs of that quality it might even be able to make Geri Halliwell's gurning look good.
A 2.4" Mobile ASV LCD for wide-angle viewing and superior display, and auto focus 3D surround stereo side speakers, are also included.
It produces realistic sounds from 3D surround stereo side speakers, and the 2.4-inch Mobile ASV LCD provides wide-angle viewing.
Cahill explained that the set has a brushed aluminum frame and side speakers to further mimic the look of an LCD or plasma.
The option of having a pair of side speakers to augment the rear and front speakers is nice but seemed like overkill in my modest listening room.
The most common setup includes five speakers (left, center, and right of the display device as well as two side speakers for "ambience" and killer surround-sound effects) and a subwoofer.
Rear and side sound with no rear and side speakers -- who is the illusionist behind this anomaly?
Many listeners would find they need to turn up the treble in their repositioned side speakers overall, because of too much shadowing, which would increase the treble in the reverberant field--never a bad idea, except perhaps at the sides.
Home-theater beginners quickly learn that their side speakers (still called "rear" speakers, often, even though the effect is better when they're to the sides of the listening positions) ought not to be too localizable.
In some cases the side speakers double as a control module that decodes the Dolby signal and sends it to the various channels; and the surround sound unit is single speaker dipole that makes it unnecessary for the user not to place two speakers.
In some cases, one of the side speakers doubles as a control module that decodes the Dolby signal and sends it out to the various channels; and the surround sound unit is a single speaker dipole that makes it unnecessary for the user not to place two speakers.