Spike Lee


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Spike Lee
Shelton Jackson Lee
Birthday
BirthplaceAtlanta, Georgia, U.S.
NationalityAmerican
Occupation
Actor, director, producer, screenwriter
EducationMorehouse College

Lee, Spike

(Shelton Jackson Lee), 1957–, American filmmaker, b. Atlanta, Ga. As a student at New York Univ., he won recognition with his graduation film, Joe's Bed-Stuy Barbershop: We Cut Heads (1982). His films usually celebrate the richness of African-American culture and address such societal problems as racism, sexism, and narcotics addiction. She's Gotta Have It (1986), mainly about sexual relations and attitudes, established Lee as a commercially viable director. Lee later updated and sharpened the film as a television miniseries (2017). His Do the Right Thing (1989) presented the complexities and tensions behind interracial relations.

Many of his subsequent films have been controversial—Jungle Fever (1991), an exploration of interracial relations and attitudes; Malcolm X (1992), based on the life of the African-American leader; Clockers (1995), a violent portrait of life at the lowest reaches of the drug underworld; Girl 6 (1996), a high-spirited portrayal of a young woman in the phone sex business; and The Original Kings of Comedy (2000), a series of racially charged stand-up routines by four contemporary African-American comedians. He broke with his traditional style and subject matter to make Inside Man (2006), a polished heist movie.

Lee first turned to documentary with 4 Little Girls (1996), a study of the fatal 1963 bombing of a black church in Alabama. When the Levees Broke (2006) documented Hurricane Katrina and its harrowing aftermath in New Orleans; If God Is Willing and da Creek Don't Rise (2010) was its sequel. His Oldboy (2013), a revenge story about a man kidnapped for 20 years then freed, is a remake of a 2003 South Korean film. Lee changed cinematic course again with Da Sweet Blood of Jesus (2015), a vampire tale set in Brooklyn and Martha's Vineyard and based on a 1973 Bill Gunn film. The musical film Chi-Raq (2015), based on AristophanesAristophanes
, c.448 B.C.–c.388 B.C., Greek playwright, Athenian comic poet, greatest of the ancient writers of comedy. His plays, the only full extant samples of the Greek Old Comedy, mix political, social, and literary satire.
..... Click the link for more information.
' Lysistrata, is set amid the gang violence of Chicago's South Side. Lee returned to racial themes with his BlacKkKlansman (2018), an account of an African-American policeman who infiltrated the Ku Klux KlanKu Klux Klan
, designation mainly given to two distinct secret societies that played a part in American history, although other less important groups have also used the name.
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 in the 1970s.

References in periodicals archive ?
Just because Spike Lee is well-known, it doesn't necessarily follow that he can get the money he needs, particularly for what seems to be an idiosyncratic film.
Spike Lee said black ministers need to be educated.
Massood follows up her discussion of the black ghetto chronotope with her discussion of a Brooklyn chronotope in Chapter 4, where she explores the influence of certain of Spike Lee's earlier films, including She's Gotta Have It (1986) and Do the Right Thing (1989), on city representations in hood films of the 1990s.
As Spike Lee said, "If there's any time to put the heat on, let's do it now.
Instead, like Spike Lee with the incongruously manicured Brooklyn streets in films like Do the Right Thing, 1989, he takes on the pastoral mode for all it's worth.
Directed by Academy Award-winning Spike Lee, the show sees Tyson recalling his colourful career.
The former heavyweight champion teamed with director Spike Lee to bring Tyson's one-man stage show to HBO later this year.
From the looks of things, Spike Lee's new crowd-funded joint is going to be more Zach Braff than Zosia Mamet.
A blockbuster melange of Motown, metal, hiphop, world and gospel influences, bound by trailblazing production, "Bad" has stood in its predecessor's shadow too long, and Spike Lee convincingly makes the case for reassessment with this exhaustive and entertaining if less-than-penetrating docu on its creation.
Denzel Washington and Jodie Foster (right) are both on fine form in this stylish and gripping crime drama from director Spike Lee. Washington stars as a hostage negotiator who is called in after a daring bank heist escalates into a siege.
Tom Joyner and Spike Lee: Ministers of Culture I'm Just a DJ But ...