Tadeusz Konwicki

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Konwicki, Tadeusz


Born June 22, 1926, in Nowa Wilejka. Polish writer.

During World War II, Konwicki served in a partisan detachment in 1944–45. He began to publish in 1946, and one of his early works, the novella Construction (1950), describes the building of the Nowa Huta metallurgical combine. The novel Power (1954) deals with social and political transformations in People’s Poland and the novel Quagmire (1956, written in 1948) portrays the partisans in the Armia Krajowa (Home Army). Moral and philosophical problems are treated in the novels A Hole in the Sky (1959; Russian translation, 1961), A Contemporary Dream Book (1963; Russian translation, 1966), The Ascension (1967), The Man-Beast Vampire (1969), and Nothing or Nothing (1971). Konwicki is also a film director and has made several films based on his own screenplays, published in the collection Last Day of Summer (1966). He won the State Prize of the Polish People’s Republic in 1950 and again in 1954.


Fuksiewicz, J. Tadeusz Konwicki. Warsaw, 1967. (Bibliography included.)
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By guiding the reader with a first-person narrator who sometimes seems to overlap with herself, Tokarczuk adapts for her purposes a device used by such Polish predecessors as Witold Gombrowicz and Tadeusz Konwicki. It serves her as a means to engage directly with her reader and to establish "her" character as a specific kind of writer--an "anti-Antaeus" whose "energy derives from movement," a refugee from training as a clinical psychologist who boldly declares that she is drawn to freaks and cabinets of curiosities.
In the context of Tadeusz Konwicki's debut novel Rojsty, in turn, Skorczewski's analysis of authorial discursive strategies (with careful attention paid to his narrative and linguistic choices) leads to convincing conclusions about the position and role of colonized intellectual elites within the colonial encounter.
Take Two Men and a Wardrobe (1958), one of Roman Polanski's early films, in which two men emerge from the sea carrying a large wardrobe, only to be beaten with a dead cat by a group of local roughs, or Tadeusz Konwicki's novel A Minor Apocalypse (1979), which follows the slapstick tribulations of a hungover middle-aged man who wanders the streets of Warsaw, gas can in tow, harassed by cops and others as he considers his fellow dissident artists' petition that he self-immolate before the party headquarters.
Anna Bikont and Joanna Szczesna have amassed an impressive amount of material tracing the postwar career of, for the most part, six writers: Adam Wazyk, Jerzy Andrzejewski, Kazimierz Brandys, Wiktor Woroszylski, Tadeusz Borowski and Tadeusz Konwicki. Of the six, only Konwicki is alive today, and he is over eighty.
The fiction of Tadeusz Konwicki; coming to terms with post-war Polish history and politics.
He worked on such films as "Lawa" by Tadeusz Konwicki, "Magnate" and "Bal na dworcu w Koluszkach" by Filip Bajon, and "Seventh Room" by Marty Meszaros.
[1] Also notable were new stories by Herling, which he inlaid in his Dziennik pisany nocq (Diary written at night) , [2] and later published in separate volumes; as well as the works of such well-known writers as Tadeusz Konwicki, Hanna Krall, Andrzej Szczypiorski, and Ryszard Kapuscinski.
Here is a list of some of the best books I have ever read: Tadeusz Konwicki, A Dreambook for Our Time Lady Murasaki, The Tale of Genji Cormac McCarthy, All the Pretty Horses Lautreamont, Maldoror Vasily Grossman, Life and Fate Tolstoy, War and Peace Yasunari Kawabata, Snow Country Hemingway, Islands in the Stream The Poetic Edda The tales of Chekhov The tales of Hawthorne Njal's Saga Sigrid Unset, Kristin Lavransdatter Melville, The Piazza Tales London, Martin Eden Julio Cortazar, Hopscotch The poems of Emily Dickinson Faulkner, Pylon and The Sound and the Fury Homer, the Odyssey and the Iliad Nikos Kazantzakis, The Odyssey: A Modern Sequel Heidegger, Being and Time Poe, The Narrative of A.
Nina Taylor attempts to separate the 'Belarusianness' from the 'Lithuanianness' in the works of the Polish novelist Tadeusz Konwicki. Not totally convincing (and indeed how could it be, given the complexity of unravelling the strands which go to make up the notion of Poland's 'eastern borderland'?) the article nevertheless succeeds in identifying the world of Belarus as an abiding source of the novelist's inspiration.
Works as different as George Konrad's A Feast in the Garden, Tadeusz Konwicki's The Polish Complex, and The Book of Laughter and Forgetting all attest to the persistence of memory in Mitteleuropa.
This complex book draws on postmodern works while analyzing the novels of Tadeusz Konwicki and other texts written under communism.
The Hucul country of the Carpathian Mountains immortalized by Stanislaw Vincenz; Jerzy Stempowski's Dniester Valley; Jozef Wittlin's Polish-Ukrainian Lwow; the Polish-Austrian Galicia of Zygmunt Haupt and Andrzej Kusniewicz; Andrzej Chciuk's Drohobycz, now in Ukraine; the Berezya River region of present-day Belarus, described by Florian Czarnyszewicz; the Litwa of Czeslaw Milosz and Tadeusz Konwicki; and, finally, the Polish-German borderlands: the image of all these homelands which emerges in the literature is one of regions inhabited by multi-ethnic and multi-fa ith communities, full of varied customs and traditions.