Tarjei Vesaas


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Vesaas, Tarjei

 

Born Aug. 20, 1897, in Telemark. Norwegian author. Writes in Landsmaal.

His first novel was The Human Child (1923). The early books of Vesaas are filled with romantic symbolism, but by 1928 his novel Black Horses already showed realistic tendencies. The theme of the struggle of good and evil forces in man is treated in the cycle of novels Father’s Journey (1930), Sigrid Stallbrokk (1931), Those Unknown People (1932), and The Heart Does Not Forget the Fatherland (1938), as well as in his later works. The drama Ultimatum (1934) describes the prewar tension in an expressionistic manner. The novels The Great Play (1934) and The Woman Needs a Home (1935) are devoted to peasant life. The novel The Seed (1940) condemns violence. The novel House in the Dark (1945) and the play Morning Wind (1947) present pictures of occupied Norway. In some novels of the 1950’s the intensification of symbolism and deepening of pessimism are obvious, such as in The Signal (1950) and Spring Night (1954). Vesaas published collections of novellas (Winds, 1952) and of verse in the spirit of modernism.

WORKS

Noveller. Oslo, 1955.
In Russian translation:
Velikaia igra. Moscow, 1970.

REFERENCES

Mæhle, L. Ei bok om T. Vesaas av ti nordiske studentar. Oslo, 1964.
Tarjei Vesaas, 1897—20. August—1967. Oslo, 1967.

E. A. SURITS

References in periodicals archive ?
Widely known in his home country of Norway and the rest of Scandinavia, Tarjei Vesaas (1897-1970) was an accomplished novelist, poet, and playwright.
Tarjei Vesaas has written the best Norwegian novel ever, The Birds - it is absolutely wonderful, the prose is so simple and so subtle, and the story is so moving that it would have been counted amongst the great classics from the last century if it had been written in one of the major languages.
6 TARJEI VESAAS, THE ICE PALACE (OWEN, 1965) When I was ten years old, I moved to New York from Texas, leaving behind my best girlfriend of three years.
Norwegian novelist Tarjei Vesaas's The Ice Palace (Is-Slottet 1963; English translation 1966) is a foundational text in modern Norwegian literature.
"Mellom naerhet og Distance: Om Unn i Tarjei Vesaas' Roman Is-slottet." Edda 3 (2004): 218-37.
"Barnet som Krisebaerer: Refleksjoner omkring Is-slottet." Kunstens Fortrolling: Nylesingar i Tarjei Vesaas' Forfattarskap.
Se hallan en preparacion dentro de dicha coleccion obras de Juan Goytisolo, Hermann Scholz, Armando Lopez Salinas, Heinrich Boll, Fernando Avalos, Elizabeth Jane Howard, Antonio Ferres, Osamu Dazai, Luis Goytisolo, Tarjei Vesaas, Juan Garcia Hortelano; Stig Dagerman, Ramon Nieto, Tage-Skou Hansen, Fernando Moran, Alan Sillitoe.
Tarjei Vesaas (1897--1970) from Telemark reached his greatest accomplishment in two of his later novels.
Not Grieg's music, but the verse of unfamiliar poets such as Rolf Jacobsen, Tarjei Vesaas or Olav H Hauge.
Albiach, Oyvind Berg, Roger Giroux, Par Lagerkvist, Tarjei Vesaas, and
The rest of the collection is given over to letters to Helen af Enehjelm (1909-91), a Californian who had married an estate owner in Finland's interior (she not only quickly mastered Swedish but became a novelist and essayist of high quality in her adopted language), and to the Norwegian poet Halldis Moren Vesaas (1907-95) and her husband, the novelist Tarjei Vesaas (who appears rather by the way: he did not like to correspond).
The current volume, a reissue of the author's three previous works- Vannbaereren (The Water Carrier; 1984), Han (He; 1987), and Vitner (1979), for which he received the prestigious Tarjei Vesaas debut prize-is a result of this renewed attention.