Tarsila

Tarsila:

see Amaral, Tarsila doAmaral, Tarsila do,
1886–1973, Brazilian painter, usually known as Tarsila. She brought modern art to Brazil, mingling Brazilian themes with modernistic imagery in her paintings.
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References in periodicals archive ?
La vanguardia paulista de fines de los anos veinte ya se los habia apropiado para fundar el movimiento antropofagico liderado por Oswald de Andrade, Tarsila do Amaral y Raul Bopp.
Developed in the 1920s by Tarsila do Amaral and Oswald de Andrade and later used as the curatorial proposition of the Sao Paulo Biennial in 1998, anthropophagy, or cultural cannibalism, names the anxious question that underlies all biennials: who's consuming whom?
"According to the National Fire Protection Association (www.nfpa.org) in the US, three out of five home fire deaths occur in homes without smoke alarms or from missing or dead batteries," said Tarsila Wey, director of marketing for First Alert.
Goals for SAI were scored by Pramila Soreng (20', 27', 54', 55', 59'), Pinki Ekka (1', 8', 51'), Tarsila Beck (33', 41', 48'), Reenu Gill (7'), Diksha Patil (12'), Lalremsiami (14') and Alka Dungdung (35').
El Cementerio da Consolacao alberga innumerables figuras publicas, artistas e intelectuales brasilenos como Oswald de Andrade, Marquesa de Santos, Monteiro Lobato, Tarsila do Amaral, entre otros.
O destaque para a presenca mulheres nas vanguardas, como Anita Malfatti e Tarsila do Amaral, e mais adiante Ligia Clark e Ligia Pape, induz a uma falsa impressao sobre ter havido no Brasil menos discriminacao com as mulheres artistas.
Kirims (family genealogies or documents of royal heritage, also called tarsila), which are unique to Muslims, were also written in Jawi.
Por outro lado, deve ser tomada como uma digna representante do neofeminismo brasilico sem estardalhaco, situando-se ao lado de outras grandes criadoras, como Tarsila do Amaral, Patricia Galvao, Lygia Clark e Lygia Pape, Judith Lauand, Mira Schendel e Regina Silveira.
In the poem "Atelier," Oswald describes the process of combining all the distinct geographical and historical moments in Poesia Pau Brasil through the paintbrush of another (Tarsila do Amaral, both subject controlling of the paintbrush and, presumably, the object being portrayed by the painting and poem simultaneously):
Ao retornar ao Brasil, no inicio da abertura politica, Zilio atribuiria a irreverencia e a impetuosidade da juventude, sua descoberta tardia da pintura moderna de brasileiros e estrangeiros como: Cezanne, Monet, Matisse, Mondrian, Tarsila, Guignard e Volpi, Barnett Newman, Robert Ryman.