Tenniel


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Tenniel

Sir John. 1820--1914, English caricaturist, noted for his illustrations to Lewis Carroll's Alice books and for his political cartoons in Punch (1851--1901)
References in periodicals archive ?
Tenniel's illustration has been compared to his drawings for Martin Tupper's "Of Estimating Character" (Hancher 35), suggesting that Tenniel used his illustration to criticise the chaotic injustice rampant in Wonderland.
In the first chapter, Alice sees him in his waistcoat and with his a pocket watch; Tenniel, in his drawing, provides him with a vest and a cane also.
El dibujo de Tenniel ilustrando la escena del atravesamiento del espejo es impresionante.
Norton en 2000, superbement illustree par John Tenniel, constitue la quintessence de l'art et du travail de Martin Gardner : references, filmographie, bibliographie, appareil critique couvrant tous les domaines d'etudes abordes dans des notes couvrant plus d'un tiers des 311 pages et comprenant une centaine de nouvelles annotations, jeux de mots et enigmes recemment dechiffrees chez Lewis Carroll.
Yet it was the Post Office Savings Bank which was named in the back of the Tenniel cartoon, not a pillar box.
Interestingly, the first print run of 2,000 was shelved because Tenniel objected to the print quality; a new edition, released in December of * the same year but carrying an 1866 date, was quickly printed and became an instant best seller.
Teniendo en mente las clasicas ilustraciones de John Tenniel, el director intensifica algunas caracteristicas de los personajes, como los ojos del Sombrerero Loco o la cabeza de la Reina Roja.
Also being sold is another version of the book, with two original pencil drawings of Alice and Humpty Dumpty by illustrator John Tenniel, which could fetch pounds 36,000.
Carroll, Lewis Alicia en el Pais de las Maravillas, dibujos de John Tenniel, version de Esther Tusquets (Barcelona: Editorial Lumen, 1985)
Elizabeth and Louis Agassiz's A Journey to Brazil and Fanny Ann Kemble's A Journal of a Residence on a Georgia Plantation in 18381839 sit alongside the cartoons of John Tenniel and Georges du Maurier as indicators of public taste and judgement on the question of race.
Il se refere a une pratique enfantine nee de la representation que Tenniel a donnee du personnage.
When Tenniel did his illustrations for Alice in Wonderland, the Mad Hatter's tea party was among the most memorable.