Henry Handel Richardson

(redirected from The Getting of Wisdom)

Richardson, Henry Handel

 

(pen name of Ethel Florence Lindesay Richardson). Born Jan. 3, 1870, in Melbourne; died Mar. 20, 1946, in Hastings, Sussex. Australian writer.

Richardson graduated from a college in Melbourne and studied music in Leipzig. She lived in Europe beginning in 1888, settling in England in 1895. In the novels Maurice Guest (1908) and The Young Cosima (1939), Richardson combined a realistic depiction of man’s inner world with a Nietzschean idealization of the “strong” personality. The trilogy The Fortunes of Richard Mahony (1930) is set against a broad background of Australian and English life of the second half of the 19th century. It depicts the tragedy of a man of strong moral principles who is inwardly isolated. The work occupies an important place in the history of the Australian novel. Richardson also wrote the autobiography Myself When Young (published 1948).

REFERENCES

Palmer, N. H. H. Richardson: A Study. Sydney, 1950.
Buckley, V. H. H. Richardson. Canberra, 1963.
Howells, G. H. H. Richardson: 1870–1946; A Bibliography. Canberra, 1970.
Green, D. Ulysses Bound: Henry Handel Richardson and Her Fiction. Canberra, 1973.
References in periodicals archive ?
Coming-of-age plots were common in the new Australian cinema of the 1970s and 1980s, including some of Its most notable achievements, such as Picnic at Hanging Rock (Peter Weir, 1975), The Getting of Wisdom (Bruce Beresford, 1978) and The Devil's Playground (Fred Schepisi, 1976).
She enlists her family to help, but also maintains a caring eye for them--all part of the modern woman's juggling act and something that adds another dimension to a story that may be more about the getting of wisdom than the making of revolution.
Specifically the analysis centres on two seminal films: Picnic at Hanging Rock (Weir, 1975) and The Getting of Wisdom (Beresford, 1977).
9) It presents an exploratory discussion on the nature of filmic representations of secondary schools in two influential films of the 1970s nouvelle vague Australian cinema: Picnic at Hanging Rock and The Getting of Wisdom.
What is interesting for historians of education is that, in creating the mirror in films such as Picnic at Hanging Rock, The Getting of Wisdom and Schepisi's The Devil's Playground, filmmakers constructed education in the broadest sense as framing device and schools in particular as reflective surfaces for the mirroring to occur.
They are fin de siecle period films: Picnic at Hanging Rock is set in 1900 and The Getting of Wisdom in 1897.
The Getting of Wisdom was directed by Bruce Beresford and released in 1977.
The Getting of Wisdom tells of the secondary education of Laura Tweedle Rambotham, an intelligent, imaginative but poor, girl from the country, who has musical talent.
Daring in both style and substance, La Vie revee's arresting drama of the getting of wisdom mixes sex and semiotics, and cleverly re-imagines contemporary gender relations to be, to invoke a famous Quebecois phrase, a form of "sovereignty-association.
Rather than dealing with the novels chronologically, she orders her discussion according to the sex of the protagonists: Maurice Guest, Richard Mahony (she devotes three chapters to the trilogy), then The Getting of Wisdom and The Young Cosima.
Lucia: U of Queensland P, 1987) and The Getting of Wisdom (St.
Kirkpatrick appeared in more than 39 theatre productions in Australia, five films, including The Getting of Wisdom, had her own show on ABC television in Australia and appeared in Home And Away.