Song of Solomon

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Song of Solomon,

 

Song of Songs,

or

Canticles,

book of the Bible, 22d in the order of the Authorized Version. Although traditionally ascribed to King Solomon, many scholars date it as late as the 3d cent. B.C. It is in form a collection of love poems. Its preservation in the Jewish and Christian canon is due not to its universally admitted poetic beauty, but to the acceptance of it as an allegory or parable of God's love for Israel, or for the church, or for the soul that loves Him. Famous among such interpretations are St. Bernard of Clairvaux's 86 sermons on the book (tr. 1895) and St. Francis de Sales's explanation (tr. 1908).

Bibliography

See studies by G. T. Dickinson (1971) and C. Suares (1972).

References in periodicals archive ?
As the groom in the Song of Songs, BV came back and knocked at her door, coming in again in her life.
Critique: Instructively and insightful, thoughtful and thought-provoking, inspired and inspiring, "Song of Riddles: Deciphering the Song of Songs" is a compelling and original study that is especially well considered, written, organized and presented.
Fishbane, acclaimed author of Biblical Interpretation in Ancient Israel, uses a multi-faceted approach to interpreting the Song of Songs. This accounts for the high page count of this book, relative to other megillot in this series.
In "Tintern Abbey," Wordsworth's allusion to these lines is clear: "when like a roe / I bounded o'er the mountains" replicates exactly the phrase "like a roe" from Song of Songs 2:9; "bounded o'er the mountains" closely resembles Song of Songs 2:8's "leaping upon the mountains." (7) It is not surprising that Wordsworth fails to quote from the Song of Songs word for word: when he composed "Tintern Abbey," he was on a walking tour, making it highly unlikely that he would be carrying a Bible to consult for an exact quotation.
The Voices from The Song of Songs is at The Black-E Gallery until January 31 and is free.
The use of female friends is conspicuous here, since the source text, Williram's commentary on the Song of Songs, employs adolescentulae (1, 2), translated as iunkfrouvon, or "virgins" (Schutzeichel and Meineke 44-46, 265, 31t).
For the Love of God is a re-interpretation of six essential biblical texts: The Song of Songs, the Book of Ruth, Psalms, Ecclesiastes, Jonah, and Job.
Marienleich is a particularly brilliant reworking of the dialogue between lover and beloved in the Song of Songs. In the recording, male and female solo and chorus combine with instrumental interludes to evoke a text that is both sensuous and mystical in its character.
A long with some of the latest psalms, The Song of Songs represents the late flowering of Biblical poetry Although it purports to be the work of King Solomon, the language of the poem clearly dates it in the Persian period (fifth century BCE) or later.
The composer describes his musical style as based on "free-flowing, melismatic vocal polyphony." His setting of the text from the Song of Songs illustrates this style in both the vocal line and the guitar part.
For nearly two millennia Christians (and Jews for that matter) understood the Song of Songs allegorically, but when a literal type of exegesis prevailed in the late nineteenth century, understanding the book as a series of erotic love poems, the spiritual understanding of the book was almost totally discarded.
is the voice of Judas, lending new meaning to his Jerry Maguire catchphrase 'Show me the money!' And Judge Greg Mathis, who wields a gavel on a syndicated TV courtroom show, reads Solomon." Other stars in the project include Blair Underwood (Jesus), Denzel Washington (who with his wife, Pauletta, coos the love poetry of the Song of Songs), Angela Bassett, Kirk Franklin, and Queen Latifah.