Theatrical Mask

Mask, Theatrical


a special covering (representing a human face or the head of an animal or a fantastic or mythological being) with perforations for the eyes and placed over an actor’s face. Masks are made of paper, papier-mache, and other materials.

In ancient theaters, where performances were held outdoors in huge amphitheaters to audiences of many thousands, theatrical masks took the place of mimic acting. At such performances, masks were used to express various emotional states, for example, one side of the mask expressed suffering, the other, joy. To strengthen the actor’s voice, metal resonators were inserted inside the mask. In the Roman theater, theatrical masks were used mainly in impromptu rustic plays—atellanae. In ancient Rus’ and medieval Europe, masks were used by buffoons and wandering actors. In the 16th–18th centuries, theatrical masks were worn by comic characters in the Italian commedia dell’arte. In the 17th century, the use of masks was gradually abandoned. Sometimes theatrical masks are used in the modern theater, for example, in Brecht’s The Caucasian Chalk Circle (Berlin Ensemble Theater, German Democratic Republic).

Theatrical masks were in wide use in the traditional theaters of Asian peoples (in India, in the folk raslila and ramlila performances; in Indonesia, in tupeng performances; in Japan, in the no plays). In the 20th century, theatrical masks are often replaced by mask-like makeup (kathakali performances in India; kabuki plays in Japan).

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And around the room are artefacts bought from a march aux puces, or flea market, including a theatrical mask and a Roman bust.
Instead of the humid morning air, acrid smoke hung heavy, piercing the nostrils, burning the eyes, smudging the face like a theatrical mask in a dramatic tragedy.
This cosmic farce continues into the next room where two sculptural groupings form Human Pyramid, made up of a small jester standing on a barrel gesturing toward six castellers precariously pyramided on three further barrels, each wearing something like a cross between a Japanese and Roman theatrical mask.
The magical world of the theatrical mask is explored in the first International Mask Festival, which takes place in Stourbridge from October 19 to 27.
The various European words for personality derive from the Greek term for a theatrical mask, Nijman (international law, U.
As a result, the use of this type of theatrical mask is becoming a new signifier, in theatre, of "Mayan" culture.
Theatrical mask show opening reception, Adell MacMillan Gallery, Erb Memorial Union, 8 a.
How may we re-evaluate Oscar Wilde, a century on from his death, when his theatrical mask still takes centre stage and his (self-)imposed marginality continues to dictate the master narrative of how his writings are read?
HOW ROMAN THEATRE CULTURE IS BROUGHT TO LIFE COMPUTER REPLICATION: A wall painting (above) from the house of the emperor Augustus of Rome, dating to about 25BC, depicting a wooden stage and theatrical masks and (above right) a computer generated 3-D image and (below right) a virtual reality model of the stage as it might have been HISTORY TAKING SHAPE: A wall painting (above) from the Villa at Oplontis, depicting a wooden stage and theatrical mask and (above right) a computer generated 3-D image and (below right) an actual reconstruction of the stage at the J Paul Getty Museum, California ARCHITECTURE RECREATED: A virtual reality reconstruction of the Theatre of Pompey, the city of Rome's first stone theatre dating to 55BC, created using the latest computer technology
The theatrical mask and costume maker has a garage full of rats.
Then we let the heavy Yiddish theatrical mask go, although we had gotten pretty far along in developing it.
This was arduous - especially for larger quantities required for hands, breasts, facial and other components - issues equally applicable to other silicone applications such as theatrical masks, plaster casting, special effects, model engineering, animatronics, life casting and pattern making.