Theodor Storm


Also found in: Wikipedia.
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Storm, Theodor

 

Born Sept. 14, 1817, in Husum; died July 4, 1888, in Hademarschen. German writer.

The son of a lawyer, Storm studied law in Kiel in 1837 and 1838 and in Berlin in 1838 and 1839. He began his career as a lawyer in 1843 and practiced law in Husum, Potsdam, and other cities.

In many ways, Storm’s lyric poetry continued the romantic tradition. His verse was characterized by immediacy and sincerity of feeling and by musicality; it had roots in folklore. Storm’s main themes were love, art, and the natural beauty of Schleswig-Holstein; many of his poems are about the history of his native region. Storm’s novellas are also deeply lyrical. He evolved from his early novellas of mood, such as Immensee (1849, published 1852) and Angelica (1855), to his novellas of action written in the 1870’sandl880’s.

The social content of Storm’s later and artistically most perfect novellas, such as Hans and Heinz Kirch (1882), attest to the increasingly realistic and antibourgeois tendencies of his work. The theme of art, as seen in Paul Puppetmaster (1874), and that of the historical past, as seen in Renate (1878), are linked to Storm’s basic theme of the disappearance of the patriarchal order. Storm’s greatest literary achievement is the novella. The Rider of the White Horse (1888).

WORKS

Sämtliche Werke, 3rd ed., vols. 1–4. Edited by P. Goldhammer. Berlin-Weimar, 1972.
In Russian translation:
Novelly, vols. 1–2. Moscow, 1965.

REFERENCES

lstoriia nemetskoi literatury, vol. 4. Moscow, 1968.
Kalnina, D. “Über Theodor Storms Stellung in der deutschen Literatur.” Uch. zap. Rizhskogoped. in-ta., 1957, vol. 5.
Böttger, F. Th. Storm in seiner Zeit. Berlin [1958].
Goldhammer, P. Th. Storm. Leipzig, 1968.

ZH. P. SARKISIAN

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
Mentioned in ?
References in periodicals archive ?
Ambrose presents discourse on selected nineteenth-century authors such as Charlotte and Emily Bronte, George Eliot, Theodor Storm, and Lev Tolstoy, in order to explore the oWoman Questiono using a revisionist semiotic approach.
Der Schimmekeiter (1888) by Theodor Storm (Schulbuch, 8.75[pounds sterling]) The most resonant ghost story ever written; marvellously evocative of its Friesland setting
Schriften der Theodor-Storm-Gesellschaft 41 (1992): 13-23 und Lynne Tatlock: "Theodor Storm's ,Ein Bekenntnis': Knowledge as ,masculine' credo." Seminar 31 (1995) 4: 300-313.
Theodor Storm Revisited: Insights into Der Schimmelreiter through Reading Wendell Berry.
This inclusiveness is purchased at a price: occasionally the discussion flattens into a mere listing of works; some large oeuvres (e.g., Theodor Storm's) are reduced to one or two examples.
Kugler's psychosocial treatment of Theodor Storm's Immensee in terms of gender relations sees Reinhard as unable to maintain his identity of male dominance and the successful suitor Erich as his conventional alter ego; Kugler doubts any achieved perception in Reinhard and reads the novella as exposing the repressiveness of bourgeois gender relations.
die "Orte und das Personal, die Stoffe und die Motive stammen [...] aus der eigenen Lebenswelt." Bollenbeck, Theodor Storm. Eine Biographie 17f.
Studying the tensions between regional and national identity in German Realist literature of the mid to late nineteenth century, Arne Koch seeks to unravel the seeming paradox that prominent authors such as Berthold Auerbach, Fritz Reuter, Theodor Storm, Wilhelm Raabe, Theodor Fontane, Gottfried Keller, and Marie von Ebner-Eschenbach can be viewed (and have been seen) as writers of regional literature while still contributing in their different ways to the discourse on German (or Swiss or Austrian) national identity.
Theodor Storm: Das Spannungsverhaltnis zwischen Glauben und Aberglauben in seinen Novellen.