Title Page

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Title Page

 

the first page or pages of a book, containing such information as the book’s title, the name of the author or editor, the publisher’s imprint and colophon, and the place and year of publication. The content of the title page is often expanded to include such additional information as the type of publication, the name of the institution issuing the book, and, in the case of textbooks, the name of the institution that has approved the book as a text or manual. A title page may consist of a single page or of a spread occupying two facing pages.

The single title page is the first page of a book; its reverse side sometimes has an annotation, the library catalog and trade numbers, and the copyright information. A frontispiece may face the single title page.

The double title-page spread, often used in multivolume and serial publications, consists of two facing pages. The left-hand page, or verso, contains information on the publication or series as a whole. The right-hand page, or recto, gives information about the volume in hand. Translated works sometimes have this type of title page, in which case the information on the left-hand side is in the original language, and on the right-hand side, in the language of the translation.

Another type of double title-page spread consists of two facing pages whose text and other graphic elements begin on the left-hand page and run across the right-hand page.

Some books have a half title directly preceding the title-page spread. The half title, or bastard title, briefly repeats such information from the title page as the name of the series and the publisher’s imprint and colophon. Part titles are headings of a book’s major subdivisions and are placed on separate pages. Title pages are produced by typesetting, reproduction processes, or a combination of both methods.

L. M. KACHALOVA

References in periodicals archive ?
A title-page link between dramatist, theatrical company, and patron was relatively uncommon at this stage in the publication of professional playbooks.
What that title-page records, I would argue, is a difference not in prestige, but more straightforwardly in venue: one outdoors, the other closed to the world.
Contents: [frontispiece]; [i] title-page; [ii] blank; [iii] DEDICATION.
(8.) Several general title-page anthologies also include music books, and music title pages are also seen in anthologies of music iconography such as Georg Kinsky's History of Music in Pictures, with Robert Haas, et al., and an introd.
On November 24, 2012, about a month before the eBay auction, Merrill's Auction Gallery (Williston, VT) advertised and sold what appeared, based on the auction house's title-page image, to be an identical copy of this issue (see "Lot 229: 1689 Works of jeffrey Chaucer--London printed by J.H.," Invaluable: The World's Premier Auctions, available at http://www.
All are, I believe, fictitious--that is, they deal with characters and events which are largely or wholly imaginary, consciously invented by the authors." Beasley similarly tries to include all "novels" omitting "brief chap books, character sketches, jest books, and dialogues." Raven's policy in his 1750-70 volume is comparable, in that he includes "all works advertised as 'novels'" and "works adopting a form recognizable as that of a novel, irrespective of the title-page description" while omitting "jest books, chapbooks, children's books, and serialized and magazine fiction.
It then became part of the Britwell collection before going to the Huntington in 1919.(11) Seven additional keyboard pieces are entered on the verso of the title-page and dedication (reproduced in Plates I & II).
copy title-page fihrist does not list it but the red lettering on fol.
Brash and Reid collected their chapbooks in their two-volume anthology, Poetry; Original and Selected (1796-97), (9) which featured on its title-page a portrait vignette of Burns integrated into a monument.
The second dangerous piece of evidence is the presence, on the title-page, of a printed inscription with a seller's name and address: frequently, this involves a decorative passe-partout frame (10), sometimes hand-coloured in the publishing house.
Griffin adds to the usefulness of this thoughtful text by providing three appendices: "Plays on English History: to 1642" (which includes a tabulation of native-subject plays--with appropriate disclaimers--as a percentage of all plays, calculated in five-year segments from 1576-80 through 1606-10), "Printed Plays with 'History' in Title-Page, 1557-1642," and "Plays in Two or More Parts, 1495-1642." It is not clear why certain native-subject plays, like Arden of Feversham, the dram atization of a notorious murder in Kent, are not included in the list of plays on English history, but their absence is compensated by references to lost plays, drawn from the work of WW.
In the first edition of Strauss's The Life of Jesus, for example, her name is not even on the title-page as its translator.