Tommaso Traetta

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Traetta, Tommaso

 

Born Mar. 30, 1727, in Bitonto, near Bari; died Apr. 6, 1779, in Venice. Italian composer.

Traetta was a student of N. Porpora and F. Durante, and his first opera was performed in 1751 in Naples. He worked in various towns in Italy and served as court conductor from 1768 to 1775 in St. Petersburg, where he composed and staged the operas Antigono in 1772, Amore e Psiche in 1773, and Lucio Vero in 1774. Traetta composed many other operas, including one for a libretto by C. Goldoni; he also wrote oratorios and church music.

REFERENCE

Nuóvo, A. Tommaso Traetta, grande musicista. Bitonto, 1938.
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"I get to sing roles that if I were on fest in Munich would go to a guest singer who specializes in those roles." Cherubino, Hansel, Emone in Tomaso Traetta's Antigona, Suzuki, and Stephano in Gounod's Romeo et Juliette: does her schedule leave her time to audition elsewhere?
Per la musica Durazzo si rivolse al raffinato Tommaso Traetta (1727-1779) (40), protagonista della rinascita filofrancese proprio nella corte di Parma da cui giungeva la sposa.
The fourth chapter is dedicated to the elogi of Francesco Mancini, Pasquale Cafaro, Antonio Sacchini, Leonardo Leo, Francesco Durante, Tommaso Traetta, Nicola Sala, and Nicolo Piccinni.
The catalogue also encompasses re-texted arias by Baldassare Galuppi (1706-1785), Vincenzo Righini (1756-1812), Tomasso Traetta (1727-1779), Gaetano Donizetti (1797-1848), Johann Adolf Hasse (1699-1783), Christoph Willibald Gluck (1714-1787) and Josef Myslivecek (1737-1781), a Czech composer who lived and worked in Italy.
The season went on into June with successful productions of Tommaso Traetta's Le serve rivali and Piccinni's Il barone di torre forte, and also revivals of La frascatana.
Traetta, A collection of results on Hamiltonian cycle systems with a nice automorphism group, Electron.
Giving some examples of works by Christoph Willibald Gluck and Tommaso Traetta, the author demonstrates that the most featured keys tend to be E--flat major.
The performance itself was a pastiche of homonymous operas written by Vivaldi, Pergolesi, Paisiello, Jommelli, Traetta, Hasse, Myslivecek, and Caldara.
In the half-century between its opening in 1732 and his death in 1782, the Argentina staged at least 15 of his texts, several of them in three or four different musical settings, with composers including Leo, Galuppi, Sarti, Anfossi, Sacchini, Piccini, Traetta and Jommelli himself.
"No matter how informative we're trying to be, we're still in the entertainment business," admits Mary Jean Traetta, cast member and co-founder of High Bar Products, which produces the show.
All the more monolithically posited is Feldman's hermeneutic reading of Tommaso Traetta's Didone abbandonata (in "Abandonments in a Theater State, Naples, 1764").