Vasco Pratolini


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Pratolini, Vasco

 

Born Oct. 19, 1913, in Florence. Italian writer.

Pratolini published his first stories in 1938. A participant in the anti-Fascist Resistance, he has been an outstanding figure in postwar literary neorealism. His first novellas and novels included Via dei Magazzini (1941; Russian translation, 1958), The District (1945; Russian translation, 1963), and A Family Chronicle (1947; Russian translation, 1958). His best book, A Tale of Poor Lovers (1947; Russian translation, 1956), deals with the life of a working-class street in Florence in the 1920’s; in it he created a comprehensive portrait of the people and depicted heroic communists fighting against fascism. Pratolini’s historical novel Metello (1955; Russian translation, 1958) describes the emergence and development of consciousness in the Italian working class. The novel The Constancy of Reason (1963; Russian translation, 1964) deals with the attitudes of progressive young people in contemporary Italy. In the books Extravagance (1960) and Allegory and Derision (1966), Pratolini abandoned neorealism.

WORKS

La città ha i miei trent’anni. Milan, 1967.

REFERENCES

Potapova, Z. M. Neorealizm v ital’ianskoi literature. Moscow, 1961. Pages 97–131.
Akimenko, A. A. “Formirovanie lichnosti molodogo cheloveka v romane V. Pratolini ‘Postoianstvo razuma.’” In Problema lichnosti v sovremennykh zarubezhnykh literaturakh. Leningrad, 1971.
Asor Rosa, A. V. Pratolini. Rome, 1958. (Contains bibliography.)
Longobardi, F. V. Pratolini. [Milan, 1964.] (Contains bibliography.)

I. K. POLUIAKHTOVA

References in periodicals archive ?
Carbone won the Nastro d'Argento, the Silver Ribbon Award thanks to a documentary about the aristocracy in Calabria (1964) and the Silver Lion Award at the Venice Biennale in 1966 thanks to a report -- which was enriched with Vasco Pratolini's texts -- about the tragic Florence flood of 1966.
The discussion of marginalization and the representation of the Other is carried out further in the study of Vasco Pratolini's La costanza della ragione.
Lucia Re, in her "Neorealist Narrative: Experience and Experiment," initially examines the use of the word neorealism in cinema before turning to the narratives of Elio Vittorini, Cesare Pavese, Italo Calvino, Beppe Fenoglio, Vasco Pratolini, Carlo Levi, and Renata Vigano.
The first chapter is very well argued, as the author clearly shows how many Italian intellectuals who in the postwar years dissociated themselves from Fascism, including the three whose 'texts' she examines (Pietro Germi's Gioventu perduta, Vasco Pratolini's Un eroe del nostro tempo, and Roberto Rossellini's Germania anno zero), were actually operating within the fascist system, when they were not applying to postwar cultural policies some of the same 'impegno' and standards that had been central to fascist society.
The writers to whom Eckstein refers, from Boccaccio and Sacchetti through George Eliot to Vasco Pratolini (for whose Girls of San Frediano its "great heap of houses" was the setting), attest to the power of the district to stimulate imaginations from the fourteenth to the twentieth century.
e c'e la vita (1940), per poi passare in rassegna le edizioni successive alla morte di Viviani: quella del '56 a cura di Vasco Pratolini e Paolo Ricci; la raccolta curata da Vittorio Viviani, la prima denominata Voci e canti (1972) e la successiva Poesie (1974); infine l'edizione del 1990 curata da Luciana Viviani e da suo figlio Giuliano Longone.
In her close readings of Pietro Germi's Gioventu perduta, Vasco Pratolini's Un eroe del nostro tempo, and Roberto Rossellini's Germania anno zero, Torriglia uses the father-son relationship as a metaphor for the ideological rift between fascism and antifascism, between consent and dissent.
"Uno spettacolo a scena fissa e multipla." Vasco Pratolini. Ed.
"'Cronache di poveri amanti.' Il film." Vasco Pratolini e il cinema.
"La formation d'un romancier italien dans l'entre-deux-guerres: Vasco Pratolini." Hommage a Louise Cohen: Langue et Litterature Italienne.
Vasco Pratolini: The Development of a Social Novelist.