Vincenzo Scamozzi


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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Scamozzi, Vincenzo

 

Born 1552, in Vicenza; died Aug. 7, 1616, in Venice. Italian architect.

In addition to his own works, such as the Palazzo Trissino in Vicenza, 1577, Scamozzi completed certain buildings begun by J. Sansovino (the Old Library of San Marco in Venice, completed 1583) and Palladio (the Olimpico Theater in Vicenza, 1580–85). His attempts to create a universal codification of architectural principles, including the theory of orders, influenced the birth of classicism.

WORKS

L’idea dell’architettura universale, parts 1 and 2. Venice, 1615.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
In Venice, as Vincenzo Scamozzi observed in 1615, one does not find new or purpose-built gallerie as in Rome: instead the portego and its adjoining reception rooms became prestigious spaces for the sociable viewing and admiration of art collections.
Van Eck focuses on the sixteenth-century Italian writers Daniele Barbaro, Vincenzo Scamozzi, and Gherardo Spini, drawing parallels between their discussion of the architect's selection of appropriate ornamentation for his buildings and the orator's choice of figures of speech, and the need of both to please their audiences.
(16) It was completed by his son and by the architect Vincenzo Scamozzi in time to open during the carnival of 1585 with a production of Sophocles' Oedipus Rex in a new Italian translation.
(17) Vespasiano's architect was none other than Vincenzo Scamozzi, author of the perspective sets at Vicenza.
It was Palladio's heir in northern Italy, Vincenzo Scamozzi, whoJones met on his Italian travels.
Most of the book consists of a review of the major architectural theorists from the inevitable Alberti to the relatively neglected Vincenzo Scamozzi, whose career takes her into the early seventeenth century.
The most elaborate of the wood and canvas floating illusions was Vincenzo Scamozzi's design for a teatro del mondo, a hybrid in which the pedimented porticoes of Andrea Palladio's Villa Rotonda were adapted for an oval platform that was drawn by a fleet of monstrous fish.