vorticism

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vorticism

(vôr`tĭsĭzəm), short-lived 20th-century art movement related to futurismfuturism,
Italian school of painting, sculpture, and literature that flourished from 1909, when Filippo Tommaso Marinetti's first manifesto of futurism appeared, until the end of World War I.
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. Its members sought to simplify forms into machinelike angularity. Its principal exponent was a French sculptor, Gaudier-BrzeskaGaudier-Brzeska, Henri
, 1891–1915, French sculptor. He was the chief exponent of vorticism in sculpture. Mainly self-taught in England and Germany, Gaudier showed exceptional precocity in his draftsmanship, animal figures, and abstract works such as The Dancer.
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. The movement, however, had its largest following in England, where Wyndham Lewis, Ezra Pound, James Joyce, and T. S. Eliot wrote about it.

Bibliography

See W. C. Wees, Vorticism and the English Avant-Garde, 1910–1915 (1972).

References in periodicals archive ?
Tided "The Spectric School of Poetry" and authored by Knish and Morgan, the essay opened by attacking Ezra Pound and Wyndham Lewis's recent Vorticist departure in no uncertain terms: "The Vorticist School of poetry died an ignominious death in London, snuffed out by the explosion of the war.
There was an avant-garde context for wood-engraving as well, which had been revived as a fine-art medium on the continent by German Expressionists and in England by the Vorticists (Miles and Shiel 63).
Miller and Perles's reversion to violent impulse and wit is absolutely in keeping with the hyper-masculine stance of the Futurists and the Vorticists: "the New Instinctivism is nothing more and nothing less than being FOR or AGAINST--instinctively.
By 1915 Rosenberg's pamphlet Youth had found its way into the hands of Ezra Pound, most likely through his art school friend, the Vorticist painter David Bomberg.
"'A Hysterical Hullo-bulloo about Motor Cars': The Vorticist Critique of Futurism, 1914-1919." Back to the Futurists: The Avant-Garde and Its Legacy.
Scenic and costume designer Rae Smith has created a large, dark, curving stage landscape, dubbed the "Nashscape." It is crafted in the "abstracted figurative style" of Paul Nash and other Vorticists, visual artists who worked between 1914 and 1918 by "combining machine-age forms and the energetic imagery suggested by a vortex (Vorticists 2011)."
Through Pound, Rodker was introduced to the Vorticists, the English avant-garde movement spearheaded by Wyndham Lewis and inspired by Italian Futurism; other members of the group were Henri Gaudier-Brzeska and Edward Wadsworth.
My years in Italy but also Escher and Morris are great inspirations, I love the work of the vorticists and how close to pattern they are.
Of course, Vorticism's erratic boys' club was not only male, and "The Vorticists: Rebel Artists in London and New York, 1914-1918"--curated by Mark Antliff and Vivien Greene, and traveling here from the Nasher Museum of Art in Durham, North Carolina--goes a long way in underscoring the contributions of female artists to its efforts.
(16) By 1922, the imagists, the vorticists, Boccioni, Apollinaire, and Modighani were already what Jean-Michel Rabate called 'Ghosts of modernity', but artistic 'rivals' were numerous.
It has been suggested that her work from this time, along with that of her husband, has been associated with that of the Vorticists, an avant-garde group led by fellow artist and writer Wyndham Lewis in the London of 1914.
Despite his claim that Vorticists refuse to "discard any part of the tradition merely because it is a difficult bogey," Pound suggests there has been no good sculpture for centuries and that one must return to the Renaissance to discover some (Gaudier-Brzeska, 29, 105).