Roy Lichtenstein

(redirected from Whaam!)
Also found in: Dictionary, Thesaurus.

Lichtenstein, Roy

(lĭk`tənstīn'), 1923–97, American painter, b. New York City. A master of pop artpop art,
movement that restored realism to avant-garde art; it first emerged in Great Britain at the end of the 1950s as a reaction against the seriousness of abstract expressionism.
..... Click the link for more information.
, Lichtenstein derived his subject matter from popular sources such as comic strips, the imagery of which he used until the early 1970s. His paintings reflect modern typographic and printing techniques such as Ben-Day dots and make innovative use of commonplace imagery. Among Lichtenstein's sophisticated and ironic works are Flatten … sandfleas (1962; Mus. of Modern Art, New York City) and Preparedness (1968; Guggenheim Mus.). His works of the 1970s and 80s largely consist of ironic reinterpretatons of cubist still lives and of other well-known paintings by famous painters. His paintings of the 1980s and 90s, which often include both real and simulated brush strokes, are typified by the large canvas Figures in a Landscape (1986). Liechtenstein is also noted for his brightly colored Pop graphics.

Bibliography

See studies by E. Sussman (1978), L. Alloway (1983), and B. Rose (1987); catalogue raisonné of his prints ed. by M. L. Corlett and R. E. Fine (2002).

Lichtenstein, Roy

(1923–  ) painter, sculptor; born in New York City. He studied at the Art Students League under Reginald Marsh (1940), and became a leader of the New York City based pop art movement, which used objects and images from mass culture and advertising. Based in New York City, he adapted painting techniques from comic strips, commercial printing, stenciling, and projected images. His decorative and witty canvases, such as Whaam! (1963), and Big Painting VI (1965) brought him fame. During the 1960s he produced elegant sculptures that revived the forms of the 1930s, as seen in Modern Sculpture with Glass Wave (1967).
References in periodicals archive ?
Roy Lichtenstein's famous Whaam! is on show at Tate Liverpool Picture: CHRISTOPHER FURLONG
Whaam! has been critically described as a pastiche of visual consumerism or a commentary on the Vietnam War.
Although Whaam! may be Lichtenstein's most reproduced and discussed painting, few scholars have found significance in the fact that it is a diptych.
Still, a clever composition is not enough to secure Whaam!'s significance in relationship to art history.
If Whaam! is constructed of these archetypal paradigms, it should be noted that the narrative is destroying the icon.
During the Lichtenstein show's brief stay at the Tate in 1968little more than a monththe People's Army of Vietnam launched its Tet offensive, the Americans responded, and "WHAAM!", which Lichtenstein had adapted from an image in the 1962 D.C.
This is very much a "Whaam!" kind of show and is therefore likely to arouse strong feelings.
WORKS from the famous Whaam! to lesser known landscapes have gone on display in a retrospective of Pop Artist Roy Lichtenstein.
Roy Lichtenstein's painting Whaam! 1963 is exhibited during the press preview for Lichtenstein: A Retrospective at Tate Modern, London
While this is perhaps Guston's Guernica, there remains another sense in which it resembles a Roy Lichtenstein combat scene of the early '60s--only an emblazoned "WHAAM!" is missing--time-warped back into the era of the Mexican muralists.