Hsüan-tsung

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Hsüan-tsung

(shüän dzo͞ong), 685–762, Chinese emperor (712–56), 9th of the T'ang dynasty. Under his brilliant early rule the T'ang reached the height of its power. Improved administration and new grain-transport facilities increased the flow of revenue to the central government, and T'ang armies restored Chinese suzerainty over Central Asia. In 751, however, the T'ang armies were defeated by the Arabs at Talas (near modern Fergana, in Uzbekistan) and by the Thai state of Nanchao in the southwest. The revolt of the northeastern regional commander An Lu-shanAn Lu-shan
, d.757, Chinese general of the T'ang dynasty. Of mixed Sogdian and Turkish birth, he was appointed regional commander on the northeastern frontier. In 755 he led c.200,000 troops in revolt against the T'ang central government.
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 in 755 forced Hsüan-tsung to abdicate. Peace was restored in 763 with the aid of foreign troops, but Central Asia was lost and control over the provinces of China proper was considerably weaker than that which had been achieved earlier by Hsüan-tsung. In Chinese legend Hsüan-tsung's infatuation with his concubine Yang Kuei-feiYang Kuei-fei
, 719–56, concubine of the T'ang emperor Hsüan-tsung. The most famous beauty in Chinese history, in legend she is said to have captivated the emperor who then neglected state affairs.
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 is blamed for demoralizing the T'ang court and paving the way for the rebellion of An Lu-shan.
References in periodicals archive ?
The Tang Dynasty, the most powerful and prosperous Kingdom in ancient Chinese history, is popularly believed to be brought down by a beautiful woman, the favorite concubine of Emperor Xuan Zong, Concubine Yang.
Documented in such official historical texts as Jiu Tang Shu [TEXT NOT REPRODUCIBLE IN ASCII] (The Old Book of Tang History) and Xin Tang Shu [TEXT NOT REPRODUCIBLE IN ASCII] (The New Book of Tang History), the love story between Emperor Xuan Zong in the Tang Dynasty and Concubine Yang can also be found in many popular narratives in ancient and modern literatures, such as the long poem of the Tang Dynasty poet Bai Juyi [TEXT NOT REPRODUCIBLE IN ASCII]'s The Song of Everlasting Sorrow [TEXT NOT REPRODUCIBLE IN ASCII], the kunqu play of Changsheng Dian [TEXT NOT REPRODUCIBLE IN ASCII] in the Qing Dynasty, and transnationally in Japanese writer Inoue Yasushi's [TEXT NOT REPRODUCIBLE IN ASCII]