(Krete), an island possession of Greece in the eastern Mediterranean. Length from west to east, 260 km; width, 12–55 km. Area, 8,300 sq km. Length of coastline, 1,046 km.
Geography. The northern coast of Crete is dissected by gulfs. Most of the southern shore, which was formed by faults, is steep. The terrain is mountainous. The island’s major massifs are Levka in the west (maximum elevation, 2,452 m), Idhi in the central region (maximum elevation, 2,456 m), and Dhikti in the east (maximum elevation, 2,148 m). Composed primarily of limestones (in the west, schists), the mountains are distinguished by their extremely steep slopes, which are deeply dissected by gorges and have well-developed karst. Earthquakes occur frequently. Coastal lowlands are negligible. The largest of them is the Mesara on the southern coast, the island’s granary.
The climate is Mediterranean, with summer droughts. (Sirocco winds often blow in June.) On the coast the average January temperature is 12°C and the average July temperature, 26°C. Frosts occur frequently in the mountains in winter, and often there is snow on the peaks until May. The annual precipitation is 600–700 mm on the coasts and 1,000–1,600 mm in the mountains. The maximum precipitation falls in winter.
Friganas. (xerophytic shrub and semishrub vegetation) prevail on Crete. Forests (oak, pine, and cypress) occupy only 2 percent of the territory. There are meadows at the summits of the mountains. On the plains and in the foothills there are vineyards, olive plantations, and wheat and corn fields. Livestock is raised. Fishing is important, and sponges are gathered. The main ports are Iraklion (Candia) and Khania.
History. The first traces of man on Crete date to the Paleolithic age. The island is one of the oldest centers of European culture. In the third millennium B.C., early slaveholding states, including Cnossus and Phaestos, emerged on Crete. Their economic flowering in the 20th through the 15th century B.C. was accompanied by a political and cultural upswing. In the 14th century B.C. part of the island was conquered by a coalition of Achaean kingdoms from mainland Greece. The Dorian penetration of the island began in the 12th century B.C.
In the first millennium B.C. Crete played an important role in the political and cultural life of Greece. The Cretan city-states painstakingly drew up a code of laws (the Gortyna Laws). In 67 B.C. the Romans conquered the island, which became part of the Eastern Roman Empire (Byzantium) after the division of the Roman Empire in 395. From 823 to 961 it belonged to the Arabs, and between 961 and 1204 it was again part of Byzantium. Seized by the Crusaders in 1204, Crete was sold to Venice in that same year. In 1669 (and finally in 1715) it was captured by the Ottoman Empire.
Although the Cretan peasants took an active part in the Greek National Liberation Revolution of 1821–29, Crete remained out-side the independent Greek state established in 1830. In the 19th century a number of national liberation uprisings against Turkish feudal and national oppression (the Cretan uprisings) took place on Crete. Under pressure from the European powers, who were competing in a struggle to strengthen their positions in the Balkans, the Ottoman Empire granted Crete administrative autonomy “under the auspices of the Great Powers” in 1898. After the Balkan Wars of 1912–13 the London Peace Treaty of 1913 made Crete a part of Greece. This was confirmed by the Greco-Turkish Treaty of 1913.
On July 29, 1938, the Greek Liberal Party organized an uprising in Khania, demanding the resignation of the fascist government of Ioannis Metaxas and the establishment of a “government of national salvation.” The uprising was suppressed. From May 20 to June 1, 1941, Crete was occupied by fascist German troops. During the occupation, subunits of the 5th division of the Greek People’s Liberation Army were activated. In November 1944, Crete was liberated from the invaders.
Architecture and fine arts. The oldest monuments of art on Crete date to the seventh millennium B.C. Art flourished particularly in the second millennium B.C., when Crete (particularly Cnossus and other cities) was one of the centers of Aegean culture. Monuments of classical Greek architecture (the temples of Apollo in Dreros and Gortyna) have been preserved, as well as examples of ancient Roman architecture (the ruins of a palace, an odeum, and thermae in Gortyna). Important pieces of Greek archaic sculpture and vase paintings have been found on Crete.
In the Middle Ages numerous Byzantine artworks were created on the island, including fortresses, basilicas (from the fifth through the seventh century), and cruciform domed churches (from the tenth through the 12th century). Byzantine traditions were preserved under Venetian rule. In the 13th through 15th centuries monasteries and churches (mostly simple, one-aisle types) were built. Icons and frescoes belonging to different schools of Byzantine painting, including the folk school (artist loannis Pagomenos, first half of the 14th century), were created.
The Cretan school of painting developed in the 16th through 17th centuries, bringing together Byzantine traditions and the devices of Venetian painting of that era (Theophanes Vatas, Michael Damaskinos, and Emmanuel Tsane). Cretan masters worked in Greece and Venice and on the Sinai Peninsula. El Greco was an emigrant from Crete. In the 13th through 17th centuries the Venetians constructed many buildings on the island, including fortresses, churches, and residential and household buildings (the Church of St. Mark, 14th century, and the Morosini Fountain, 1628, in Iraklion). In the 16th century,
M. Sammicheli directed the fortification of the port cities of Iraklion and Khania. A number of 13th-century Genoese buildings, as well as Turkish structures, have been preserved on Crete. In modern times, Cretan art has developed along the same lines as that of Greece.
V. M. POLEVOI