Divested of its social function and utilitarian purposes, absolute music
was regarded as expressing the "Wesen der Musik" because it is "begriffs-, objekt- und zwecklos.
There are pieces of pure or absolute music
that lend themselves to psychological interpretation.
Well out of the frame at Haydock and Beverley on his previous two starts, Tim Easterby's charge kept on well in the closing stages to take third place behind Absolute Music
FLORENTIA Displayed a little more promise returned to seven furlongs at Lingfield and the filly should be capable of picking up a small race on the all-weather.
has been central in advancing the idea that German music could transcend its Germanness and become universal.
QUEEN MARY STAKES: 4-1 Don't Tell Mary, 7-1 Lady Of The Desert, 8-1 Capercaillie, Ceedwell, Misheer, Rose Blossom, 14-1 High Spice, The Hermitage, 16-1 Chantilly Creme, Crown, Jealous Again, Little Scotland, 20-1 Above Limits, Habaayib, 25-1 Grand Zafeen, Jira, Lady Royal Oak, 33-1 Absolute Music
, Itwasonlyakiss, 40-1 Bell's Ocean, 66-1 Parbold Hill.
There is no reason to suggest that absolute music
should be unable to carry a narrative line.
Our representative points toward that which we have learnt--through the wisdom that comes from repeating the conventions of our pack--the gesture of recognizing as wrong: musical autonomy, formalism, higher destiny, transcendence, will, overcoming, revolution, absolute, idealism, dignity (in the Kantian sense, to be distinguished here from postmodern "pride"), negation, high art, redemption, progress, depth, epic, metaphysics, the new, grand narrative, universality, interiority, originality, reason, totality, heroism, genius, Enlightenment, Romanticism, modernism, and so on and so forth--a list that is usually summarized under the term absolute music
purists will probably hate it, but anyone with a good stereo system will have a ball with it.
and of the powerful notion of absolute music
that emerged from it.
He demonstrates how the rhythmical alterations to "Faune" before its publication in 1887 stage the conflict between vers libre and metrical poetry, between individual music and absolute Music
would offer its customers real tones and full-length songs for the mobile from artists such as Madonna, Coldplay, Robbie Williams, James Blunt, Anastacia and Westlife.
He also interprets three works as examples of synaesthesia: Ludwig Tieck's Franz Sternbalds Wanderungen, Philipp Otto Runge's Die vier Tageszeiten, and Clemens Brentano's Die Romanzen vom Rosenkranz Emphasizing the development of music as the key feature, Kwon includes chapters on absolute music
as understood by E.