References in periodicals archive ?
Andantino (3.00) was staying on strongly when fourth to Emrani and looks the pick of the very competitive Glenbeigh Handicap.
Mozart: Andantino from the Flute and Harp Concerto in C, K299
Andantino (Themes with variations), from Piano Quintet in A Major, D.667, "Trout" Schubert
Music explicitly occupies the crucial opening part; the first section is called "mit musik" ("with music"), and it contains poems with titles like "chanson" (8-9), "andantino" (10), "etude in f" (14-15), and "calypso" (16-17).
While the first two classical pieces, "Watermark" (Enya, 1988a, 1988b) and "Prelude Number I" (Bach, n.d., 1984), were relatively well known and in major keys, the following pieces, "Andantino" (Khachatrian, 1986) and Prelude 11 (Norton, n.d.), were likely to have been less familiar to Charlotte.
But it's really the accompanying Saint-Saens Third Violin Concerto that knocked me over, especially its slow middle movement, the Andantino. I've seldom heard it so ravishingly beautiful.
Se trata de un verdadero juego de densidades (idea proveniente del movimiento inicial) alrededor del doble forre como variacion de la dinamica eje del Andantino, recapitulando una fastuosa vitalidad y movimiento.
At measure 135 there is an echo of the "Andantino amoroso" (number 7) of the Quaderno and in the following measure, in the guise of a "ritornello," the whole last piece of the Quaderno, as it was heard at measure 62.
Here, the author deals with the terminology at the slow end of the spectrum, the confused meaning of Andantino (i.e., whether it is faster or slower than Andante), the relationship of metre and tempo, the tempo of the minuets, and Haydn and 'tempo trends'.
A symphony in C published by Venier is recorded in two versions, the first containing a particularly heartfelt Andantino for strings alone.
Yulianna Avdeeva offered a hard-edged metallic tone which made the opening big tune sound crudely over-emphatic and, in the delicate Andantino, varied in volume but hardly a fraction in texture, colour or warmth.
959 and the song Der Taucher, to claim that the "Andantino's suggestion of an individual's confrontation with an overwhelming force might reflect Schubert's perception of his stance vis-a-vis Beethoven, and the trajectory of the middle section his gradual stylistic accommodation with the music of his idol" (p.