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The art and business of bookbinding began with the protection of parchment manuscripts with boards. Papyrus had originally been produced in rolls, but sheets of parchment came to be folded and fastened together with sewing by the 2d cent. A.D. In the Middle Ages the practice of making fine bindings for these sewn volumes rose to great heights; books were rare and precious articles, and many were treated with exquisite bindings: they were gilded, jeweled, fashioned of ivory, wood, leather, or brass. The techniques of folding and sewing together sheets in small lots, combining those lots with tapes, and sewing and fastening boards on the outside as protection changed but little from the medieval monastery to the modern book bindery. The invention of printingprinting,
means of producing reproductions of written material or images in multiple copies. There are four traditional types of printing: relief printing (with which this article is mainly concerned), intaglio, lithography, and screen process printing.
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 greatly increased the demand for the bookbinder's work, establishing it as a business. The finest binding is still done by hand. In machine binding (called casing), the cover, or case, is made separate from the book and then glued to it. The covering of the boards, usually called the binding, is most frequently of cloth, heavy paper, vellum, leather, or imitations of leather. The preferred leathers are oasis goat and levant. Leather bindings are sometimes decorated by marblingmarbling,
in bookbinding, a process of coloring the sides, edges, or end papers of a book in a design that suggests the veins and mottles of marble. In tree marbling, as of tree calf bindings, the design suggests also the trunk and branches of a tree.
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, tooling, or embossingembossing,
process of producing upon various materials designs or patterns in relief by mechanical means. The material is pressed between a pair of dies especially adapted to its hardness and the depth of the design needed.
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See H. Lehmann-Haupt, ed., Bookbinding in America (1941, repr. 1967); B. C. Middleton, A History of English Craft Bookbinding Technique (1978); D. Muir, Binding and Repairing Books by Hand (1978); E. Walker, The Art of Book-binding (1984).



(also binding), the durable and usually stiff cover in which the pages of a book are pasted. Bookbindings may be made from cardboard, leather, cloth, paper, polymers, or other materials.

The first bookbindings date to the first century A.D., at which time manuscript books on parchment first appeared in Europe. By the 17th century, as a result of the use of paper and the development of printing, the quality of handmade bindings had significantly improved. The production of mass editions led to the mechanization of bookmaking and changes in the structure of the binding.

In the USSR, several types of bookbindings are used, which differ in the appearance of the cover, the method of fastening and reinforcing the unbacked book, and the method of attaching the book to the cover. Three types of bookcovers, or cases, are made. One type consists of one piece of material. Another type consists of two cardboard sides and a back made of strong paper, which are pasted together and covered with one piece of binding paper or fabric. A third type of case has a backbone covered with one type of material and cardboard sides covered with another. It and other sophisticated types of bookbindings are produced by casemakers. The material for the cover is fed to these machines in sheets or rolls.

Inscriptions or illustrations are applied on the covers by ink printing, by imprinting a textured design with a hot stamp, or by gold tooling.

One of the first steps in binding a book involves attaching the endpapers to the front and back signatures. After the signatures are sewn or pasted together, gauze or another backing material is pasted to the backbone. The three edges of each book are trimmed, and the turn-in is pasted to the edges of the backbone. The book is then pasted into its cover.

All bookbinding operations are carried out on assembly lines. As many as 2,000 to 3,000 books are bound per hour. The procedure requires six to eight persons. The production of books that have full bindings and that are not sewn requires half as many operations, and productivity reaches as high as 5,000 to 6,000 books per hour.


References in periodicals archive ?
Volume I contains 25 essays by Mirjam Foot on particular bookbindings and bookbinders; in volume 2, she catalogued the Northern European (mainly British, Dutch, and German) bookbindings.
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The bookbinding firm, which is still in business, says of the project: "The book was undoubtedly the most ambitious bookbinding ever undertaken by any bookbinder at any period in history.
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Eventually, Bookbinder came to San Francisco to study with Resleure.
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Pamela Bookbinder thought that after graduating from Washington University (MO) she would enter law school.
of Massachusetts-Dartmouth) does not quibble with the storybook version of Faraday (1791-1867) as a poor, unschooled bookbinder's apprentice who through sheer gumption and timely luck surmounted adversity and class prejudice in 19th-century England to become the greatest experimental scientist of his time.
Michael Faraday began his adult life as an impoverished bookbinder, but with innate curiosity.
Located in historic Old City, Old Original Bookbinder's was established in 1865.
A scattering of black-and-white illustrations and photographs and text printed on high-quality paper enhance this in-depth study connecting minute aspects of bookbinding history, including tool design, manufacture and supply, the relationship of the bookbinder to the rest of the book trade and much more.
"We're probably the most diversified bookbinder, too," Sproles noted; regular projects include university textbooks, medical journals, periodicals, courthouse records, and genealogy books.