bottom register

bottom register

A register, 1 located close to the floor, along a wall.
References in periodicals archive ?
In the bottom register we see 760 donkeys on the left and 974 goats on the right.
More naked people--tendrils blindfolding their eyes--float limply in space, while more still are packed inside the composition's infernal bottom register, supporting text spelling out flesh interface eutopia.
Now at the peak of his career, Braun has just the right voice for the part: strong and resonant, with splendid top notes, firm in the bottom register, and able to deliver the important Italian patter elements in the text.
In the bottom register, Rama on his chariot, followed by Lakshmana and Vibhishana, fights against Ravana, who is represented in the adjacent panel (see figure 8, bottom).
According to the array, this note should be in the bottom register, which does not occur until m.
As in the Verdi, Schwarzkopf is musically and vocally assured and the richness of her bottom register is an exciting revelation.
Lawrence Zazzo, in the castrato role of Amadigi, sang with a sweet, expressive tone, while Patricia Bardon - as his rival Dardano - handled her cruelly low part with clarity and a rich bottom register.
Part of its impressiveness is due to the size of the piece when assembled, which stretches over the length of a folio.(55) The print shows sections of the bottom register of the fresco, somewhat abridged, most noticeably to omit Psyche on her marriage bed.
And in the central movement, the child's rapt fascination with the gift of a snail is aptly depicted by a variety of curious timbral effects: the bass flutist plays softly in the bottom register at the beginning and end; the singer declaims the text by whispering and singing in "Sprechstimme style"; and the harpist introduces a peculiar glissando effect by sliding a metal tuning key along the string (the effect resembles the famous "chisel piano" in Crumb's Vox balaenae).
For a singer like Ens, who is blessed with a particularly strong bottom register as the foundation for his rich, dark bass, the bigger repertoire means Verdi's King Phillip and Wagner's King Mark, Gurnemanz in Parsifal and the devilish lead in Boito's Mefistofele.
And in the central movement, the child's rapt fascination with the girl of a snail is aptly depicted by a variety of curious timbral effects: the bass flutist plays softly in the bottom register at the beginning and end; the singer declaims the text by whispering and singing in "Sprechstimme style"; and the harpist introduces a peculiar glissando effect by sliding a metal tuning key along the string (the effect resembles the famous "chisel piano" in Crumb's Vox balaenae).