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one of the pamphlets formerly sold in Europe and America by itinerant agents, or "chapmen." Chapbooks were inexpensive—in England often costing only a penny—and, like the broadside, they were usually anonymous and undated. The texts typically were similar to those of current tabloid newspapers and therefore reveal much about the popular taste of the 16th, 17th, and 18th cent. The term is occasionally used to refer to old manuscripts showing national character through the use of vernacular expressions.
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References in periodicals archive ?
Her first chapbook, Conversations with dead composers at Carnegie Hall (Flutter Press), was published in January 2019.
The company highlights poetry performances across the United States through media, audio recordings, video, local and national events, publishing chapbooks, and scholarships.
Some other writers who contributed poetry and prose to the chapbook also read their writings on the occasion.
first published travel chapbook. Sixteen lines of a poem that describes
Two recent chapbooks, Treasure Shields Redmond's Chop: A Collection of Kwansabas for Fannie Lou Hamer and Tara Betts's 7x 7 Kwansabas, both innovatively employ the kwansaba form.
For now, Gathering the Silence already serves as a chapbook worth taking with us into days filled with the growing white noise of a daily commute, texting strangers, unending commercials, the news at the top of the hour, or simply a ravenous to-do list.
Copperman will read from his soon-to-be-published book, and Pe[+ or -]aloza will share poems from her chapbooks, "landscape/heartbreak" from Two Sylvias Press and "Last Night I Dreamt of Volcanoes" from Organic Weapon Arts.
(4) Many writers cite the poem's first, still unauthorised, publication as being in a Glasgow chapbook in 1799, and modern editions arranged by publication date place it in the category of posthumously published poems.
His first chapbook, Farmstead, Fire, Field, is forthcoming from ELJ Publications.
Focusing on the commonplace chapbook, a genre that is only visible within its own material history, this essay responds to an open problem in the fields of Romantic poetry and nineteenth-century women's writing, namely, the question of what is lost, or rather, what has been lost in the ongoing process of recovering Romantic women's poetry from the archive and introducing this poetry to the canon.
The Worcester Women's Project presents for its annual Women in Print event, an evening with local children's author CJ Posk, whose work both sparks the interest and curiosity of children, as well as sharing her love for the city of Worcester; poet Susan Elizabeth Sweeney, author of the chapbook "Hand Me Down,'' which examines things left behind; and Patricia A.