Since the trumpets before 1814 (when valves were first used) could not produce the full chromatic scale
of thirteen tones in an octave, composers of the Romantic and previous eras confined music for the trumpet to fanfares and filler type sounds.
The Schoenbergian 12-tone row (a pattern of the 12 notes of the chromatic scale
used as the basis for the harmony and melody of a whole piece) is central to much atonal music, and Ross efficiently shows us how it works.
On the other end of the chromatic scale
is Mechling's Daniel, a sour, impatient youth for whom the slightest human encounter is painful.
This strong color palette is based on the complementary chromatic scale
, much in the way the French 'Fauvists' used them--the 'mystery' of the opposites."
ascending and descending the chromatic scale
He expanded the range of acceptably small ratios from 5 to include the numbers 7, 9 and 11, and developed a forty-three note, symmetrical chromatic scale
whose tones form intervals with the fundamental using ratios within this "11-limit." Partch influenced subsequent generations of American composers, most notably former students Ben Johnston, who has further expanded the range to include prime numbers as high as 31, (3) and Lou Harrison, an especially outspoken advocate of just intonation who is well known for the justly tuned non-European instruments and scales he frequently uses in his music.
At their edges, meters of algae magically brim in chromatic scale
from yellow to red to black as temperatures lessen in trickling overflows.
Everything Means Nothing To Me is virtually just Smith singing the title to a chromatic scale
, but it's this simplistic songwriting and sweet vocals that work so well.
Wood thrushes can conform to the familiar Western diatonic scale; canyon wrens come close to the more complex chromatic scale
, and hermit thrushes sing with the pentatonic scale of traditional Asian music.
We offer a new approach to the perceptual space (H,S,I) (an Uniform Chromatic Scale
space about wick we describe its properties as well as the metrics to work in it.
Their choice of a colour palette subtly shifts one's emotional responses, turning a romantic tale into something cooler as the film progresses: warm browns and reds for Italy, the dark hues of the monastery and music master Poussin's chambers in Austria, cooler greens and yellows for British virtuoso Frederick Pope's estate, blues and earth tones appropriate for China during its Cultural Revolution, and a severely reduced, matter-of-fact use of the chromatic scale
for the auctioneering scenes in contemporary Montreal.
The novel--filled with references to The New Atlantis; the Pythagorian theory of numbers; the chromatic scale
; the kabbalistic reading of the Old Testament as gematria--does not ever become a dull encyclopedia; it is, indeed, a moving narrative of fathers and sons, of "accidental" deaths, of "the very thing that happens" (Edson's mysterious, ordinary phrase).