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(graphic arts)
The pattern of arranging pages for a signature of a book so that the pages will be in sequence when folding occurs.
McGraw-Hill Dictionary of Scientific & Technical Terms, 6E, Copyright © 2003 by The McGraw-Hill Companies, Inc.
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.



the arrangement of pages on a letterpress plate in such a way that a folio with pages in the proper sequence will be produced after the sheet is printed on both sides, folded, and cut.

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.


The printing of pages on a single sheet of paper in a particular order so that they come out in the correct sequence when cut and folded.
Copyright © 1981-2019 by The Computer Language Company Inc. All Rights reserved. THIS DEFINITION IS FOR PERSONAL USE ONLY. All other reproduction is strictly prohibited without permission from the publisher.
References in periodicals archive ?
Fanon (1967) understood that when it was time to understand the psychology of a people in direct contact with cultural imposition that "the discoveries of Freud are of no use here" ((1967, p.
In his description of what he calls "social constructionism," he rejects any form of cultural relativism (as if the virtues and the vices were simply cultural impositions or inventions), yet he declares his intent to convey a due appreciation for the complex cultural processes involved in understanding human behavior and emotions in relation to morality.
Some chapters explore myths of creation, exorcism, and cultural impositions. Others point to pastoral strategies and the organization of living forces for a common destiny (p.
But they react to their historical times in different ways: unlike Barreto, who attempted to reach a wider public through journalistic language, Lins reacts against what he sees as a pleasurable or easy best-seller readership that would conform to cultural impositions. Instead, his attention is centered on the writing process itself, turning what he considers an adverse cultural situation into the writer's personal struggle.
Through individual narrative quests, two of the most common and potentially debilitating modem, European cultural impositions are accented: first, the belief in the epistemological superiority of underground solitude; second, the flawed assumption that reflective subjectivity entails an immobile state of introspective concentration.

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