Pieter de Hooch

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De Hooch or De Hoogh, Pieter:

see Hooch, Pieter deHooch or Hoogh, Pieter de
, b. c.1629, d. after 1677, Dutch genre painter. He worked in Delft, Leiden, and Amsterdam, painting intimate interiors that may have been influenced by those of Vermeer.
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Hooch or Hoogh, Pieter de

(both: pē`tər də hōkh), b. c.1629, d. after 1677, Dutch genre painter. He worked in Delft, Leiden, and Amsterdam, painting intimate interiors that may have been influenced by those of Vermeer. Usually he preferred to paint rooms opening into other rooms or to the outdoors, intriguing the imagination with half-seen vistas, and displaying his ability to handle complicated lighting effects. His warm tone and subtle colors show Rembrandt's influence. De Hooch repeated his basic compositions many times, so that his later works are static and less interesting. One of his finest paintings is Courtyard of a Dutch House (National Gall., London). His works are housed in many European museums, and the Metropolitan Museum has seven.

Hooch, Pieter de


Baptized Dec. 20, 1629, in Rotterdam; died circa 1685 in Amsterdam. Dutch painter.

Hooch studied with C. Berchem in Haarlem from roughly 1646 to 1649. From 1654 he worked in Delft, where he became a member of the painters’ guild in 1655. He worked in Amsterdam in the 1660’s. Hooch was influenced by the Haarlem genre painters of F. Hals’ circle and, later, by J. Vermeer and C. Fabritius. He painted scenes from burgher life, primarily the hustle and bustle of the housewife. Hooch strove for poetic spirituality in his depictions of domestic surroundings and sunlit interiors and courtyards. Examples of his work are A Maid With a Child in a Court (1658, National Gallery, London), The Spinner (c. 1658, Buckingham Palace, London), A Woman and Her Maid (c. 1660, Hermitage, Leningrad), and A Mother Beside a Cradle (c. 1660, Picture Gallery, Berlin-Dahlem). Warm golden tones enriched with spots of pure color dominated Hooch’s mature palette. Increased superficiality of images characterized the artist’s late period.


Tsyrlin, I. Piter de Khookh. Moscow, 1955.
Thienen, F. van. Pieter de Hoogh. Amsterdam [1945].
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Si bien se agradece la profusion de datos y el rigor historico que la autora exhibe, no haria ningun mal al libro suprimir varias decenas de paginas, especialmente las dedicadas a demostrar de donde proceden sus investigaciones; todo lo contrario: le aportaria mayor tension y evitaria las frecuentes digresiones en las que se nos proporciona informacion no relevante para el tema principal del ensayo, como hipotesis y elucubraciones sobre los origenes geograficos de la esposa del pintor Pieter de Hooch o las circunstancias en las que Van Leeuwenhoek pudo conocer al medico neerlandes Reinier de Graaf, quien convencio a aquel para que enviase sus observaciones cientificas a la Royal Society de Londres.
There was no familial piety determining acquisitions such as the Pieter de Hooch scene of a mother cradling her child (Fig.
Van Meegeren no solamente realizo falsificaciones de Vermeer, sino de Frans Hals, Pieter de Hooch y Gerard ter Borch, algunas de las cuales logro vender a Sir Joseph Duveen, uno de los grandes comerciantes de arre en Londres.
Works by Rembrandt, Vermeer, Frans Hals, Jan Steen and Pieter de Hooch are among those on display.
Good fun follows, involving chances to spot famous paintings by Vermeer, and De Hooch, until Boy and the dog find themselves on Little Street, Delft, where dog goes missing.
Along with information about the works by Rembrandt, Vermeer, de Hooch, Maes, Halls, and virtually every other painter of the time, Quodback describes how the exhibit came together, along with their provenance.
The show also has work by such artists as Jan Steen, Frans Hals, Jan van der Heyden, Pieter de Hooch and Jacob van Ruisdael.
DJs include Laura Love (Gladrags and Ministry of Sound, Ibiza), De Hooch (Speed Queen), Lucy Locket and resident G-Bar jocks.
Its famous artists-- Carel Fabritus, Pieter de Hooch, and Jan Steen--set off in new directions and excelled in the use of light, as evidenced by the tranquil interiors by Vermeer and De Hooch.
Also thrown into the mix are the great names of painting (Michelangelo, Pieter de Hooch, Ingres), photography (Steichen's portrait of Gloria Swanson), Art Nouveau, the Vienna Secession, and multiple vernacular forms (Wild West-style posters, children's books, and food packaging).
Latin and Greek words are introduced, and the 17th-century genre paintings of Pieter de Hooch used as inspiration.