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an intagliointaglio
, design cut into stone or other material or etched or engraved in a metal plate, producing a concave, instead of a convex, effect. It is the reverse of a relief or cameo. The term also designates a gem so cut.
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 printing process in which the lines are scratched directly into a metal plate with a needle; also, the print made from such a plate. Although it is often used in combination with etchingetching,
the art of engraving with acid on metal; also the print taken from the metal plate so engraved. In hard-ground etching the plate, usually of copper or zinc, is given a thin coating or ground of acid-resistant resin.
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, no acid is used for the drypoint. It differs from engravingengraving,
in its broadest sense, the art of cutting lines in metal, wood, or other material either for decoration or for reproduction through printing. In its narrowest sense, it is an intaglio printing process in which the lines are cut in a metal plate with a graver, or burin.
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 in the type of tool employed and the consequent shallowness of the line. In drypoint the burr raised by the needle is usually left on the plate, producing a rich, velvety effect. It is characteristically a sketchy medium suitable for improvisation, but it can also be used to render fine detail. Unless the plate is steel faced, the burr deteriorates rapidly, allowing relatively few good prints to be pulled. Dürer, Rembrandt, Whistler, and Picasso are considered the greatest masters of the technique.



a method of intaglio engraving in which lines are scratched into metal with a pointed tool, or needle. The lines have a distinctive velvety texture owing to the burrs left behind by the needle; hence, works executed in drypoint somewhat resemble drawings. Drypoint is often used together with etching.

Drypoint has been known since the late 15th century; it became popular as a separate technique in the 19th century. A. Dürer, Rembrandt, F. Rops, and J. M. Whistler worked in drypoint. A number of Soviet artists have used the technique, including G. S. Vereiskii and D. I. Mitrokhin.

References in periodicals archive ?
In recent years, June has focussed on the practice of drypoint and collagraphs (a printing technique whereby a collage of materials are laid on a printing plate to create shapes and forms) and will be giving a talk about her work on Saturday, September 6, at 4pm in the workshop gallery.
Completing the survey were several of Voulkos' drypoint etchings and monotypes from the late 1990s.
Christ Preaching ("La Petite Tombe")/Rembrandt van Rijn, 1652 Etching, engraving, and drypoint on paper.
An early example of this is the drypoint Disco Mosul (2006, see figure 4), which depicts the seated figure of a multiple amputee seemingly entangled in the transcripts of his victim's statement.
He painted the subject six times and also explored it in lithography, drypoint, and etching.
The drypoint prints include "La Ronde (The Ring)" and two portraits of writers and Rodin contemporaries, "Antonin Proust" and "Victor Hugo.
From the oldest forms of woodcuts and lithographs, to the modern computer age of digital transfers, there are many different and distinctive forms of printmaking including silkscreens, lithographs, screenprints, mezzotint, serigraph print, linocut, vitreograph, photoetching, aquatinit, drypoint, and more.
Opposite: WALTON FORD, Visitation, Hardground and softground etching, aquatint, spit-bite aquatint, drypoint on paper, 44 x 30.
Magne's alpha-beta exhibition consists of 30 works, in drypoint and monotype, of each individual letter in the alphabet, plus the Norwegian letters , [degrees], .
A swimmer swims out through voids of drypoint, inkwash, He dives deeper
Thanks to the informative video, visitors could acquaint themselves with terms like etching, burin, drypoint, acid-bath and state.
Peggy Bacon's drypoint, A Frenzied Effort, 1925, reveals the autobiographical touches for which she is known.