On a deja beaucoup glose sur cette question, avec des resultats plus ou moins concluants, se contentant souvent de faire de Groulx un epigone
When we turn to the Easter dramas we are confronted by Heloise, now known to have been a poet and musician in her own right, and more of an intellectual partner of Abelard than an epigone
However, the organization of this study only partially reflects the stated intention of the author; namely, to establish the cosmopolitan, European culture of De Roberto as opposed to interpreting his work as a late epigone
of regional verismo.
A late epigone
of the Symbolists, who ironically may not even have been known to Peladan, Paciurea created his own Chimeras, which constitute the main subject of this survey.
Since his 1971 debut, Americana, DeLillo has gone from sometimes being dismissed as an epigone
of Thomas Pynchon to being acclaimed (in the words of hard-to-please.
As an allegory of stylistic conversion, the poet-king Richard's pastoral affirmation of poetic value outside the learned courtly tradition coincides with the established author Shakespeare's forsaking of his customary realm of literary control for "exercise in this kind"; it hardly suits an epigone
aspiring to literary culture.
This becomes (abundantly) clear in his epigone
Bennington's analysis of "the sign" in terms of signifier and signified.
to disavow in the next chapter) as Wagner's epigone
, via the ballad in the second act of Der ferne Klang, an "artificial wave" that is at once a sign of Schreker's "self-consciously ambiguous [perhaps he means "ambivalent"] position with regard to Wagner--seeking to break away from him, yet always overshadowed by him," but capable even in his failed resistance of creating "exquisitely colourful products" (p.
Truly, Stephen Rodefer appears more and more a late epigone
of Holderlin rather than of Villon.
The synchronistic sense of shiren as canonical poet would lead to an interpretation of zong as a lineage with the Classic at its root and Tao as an epigone
, but there is nothing in Shipin to recommend a particular association between Shijing and recluses.
Caxton's early production of Higden's Polychronicon began a vogue of printed chronicles which peaked in the mid sixteenth century (Stow is the leader in number of editions at 25, with the epigone
Baker next at 13).
By "quoting" his own precursors throughout his novels, Bernhard is free, in turn, to be Schopenhauer, Montaigne, Pascal, or any of his other models, without for a moment risking the potentially suicidal agony that led to Wertheimer's demise or ever suspecting that he is himself merely a derivative epigone