Its complex structure begs us to question whether the poem is an epithalamium
or shattered sonnet, personal narrative or elegy.
Claudian in the De consolatu Stilichonis [properly, Epithalamium
de nuptis Honorii] describes a most delightful garden in your Cyprus, oh excellent king, of which one may enumerate all the delights that prompt one to indulgence.
Interestingly, Lewis wrote an epithalamium
(a postnuptial song), "The Small Man Order His Wedding" (Poems.
According to Schulz-Flugel, Gregory wrote this tract before his commentary on the Song of Songs; see her introduction to Gregorius Eliberritanus: Epithalamium
Chaucer's version and makes the ending an epithalamium
5, she gyrated on her bed listening to her iPod while playing the latest hit, and then turned off an invisible TV with a remote control before delivering her epithalamium
"Gallop apace" while she stood on her bed.
The obvious ones are "Evolutionary Hymn," "Prelude to Space: An Epithalamium
," "Science-Fiction Cradlesong," and "An Expostulation: Against too many writers of science fiction.
de nuptiis Honorii, 22 versi in distico elegiaco;
Matters become all the more 'inconclusive' as it emerges from Sampson's learned discussion that pastoral is not just one of three neatly distinguishable genres, as textbooks would have us believe, but one of a whole array of competing and overlapping genres-drammi mescidati, tragedy, comedy (erudita, grave, dell' arte,) tragicomedy, melodrama, closet drama, rustic plays, pastoral (and piscatorial) eclogues, epithalamium
His collection of love lyrics, the Basia, epigrams, funeral odes, and epithalamium
denote his literary range and productivity, and have stimulated comparative studies with Latin elegists and contemporary Neo-Latin, Italian, Pleiade, and English lyric poets.
An extended version of his essay, titled 'Fernando Pessoa, Outsider Among English Poets', appeared in the Spring 1963 number of The Literary Review, together with samples of Pessoa's poetry in English: ten of the 35 Sonnets, an excerpt from Epithalamium
and three of the Inscriptions.
However, the rhetoric of the Renaissance wedding oration or epithalamium
, introduced first to Ferrara by the humanist Guarino Guarini in the early fifteenth century, recognised not only the negative equality of two people with similarly little choice in their marital fate, but also the relatively more equal levels of educational preparation and cultural awareness of bride and groom who each represented a powerful and wealthy family.