eurythmics

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eurythmics

eurythmics or eurhythmics (both: yo͝orĭᵺˈmĭks), harmonious bodily movement, especially as expressed according to the system of Émile Jaques-Dalcroze, who developed eurythmics (1903) at the Geneva Conservatory of Music in an effort to overcome the rhythmic difficulties of his students. His aim was to bring the body under control of the mind through a system of gymnastics correlated with music. First, an unconscious technique of bodily response to the rhythm of music is developed, with the student eventually able to improvise an interpretation, through gesture language, of an entire composition. The system has influenced not only musical instruction but also the ballet and even fields outside musical study. The first demonstrations of it were given in 1905, and the first Jaques-Dalcroze Institute in the United States was established ten years later.

Bibliography

See N. Slonimsky, Music since 1900 (4th ed. 1971), for a history of the Dalcroze method of eurythmics; see also E. Findlay, Rhythm and Movement: Applications of Dalcroze Eurhythmics (1971).

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References in periodicals archive ?
* Dalcroze eurhythmics (coordination of gross motor movements to music as a means of internalizing pulse and rhythm)
Caldwell, Expressive Singing: Dalcroze Eurhythmics for Voice (Englewood Cliffs NJ: Prentice Hall, 1995), 17.
To find out more about Dalcroze Eurhythmics, go to http://www.dalcroze.org.au/
While children are sent for swimming and eurhythmics lessons
She focuses on specific moments of dance in modernist literature--such as Gudrun's peculiar eurhythmics in front of cows in Women in Love (1920) and the social dance in Woolf's The Voyage Out (1915).
* Rhythm and Movement Applications of Dalcroze Eurhythmics by Elsa Findlay ISBN-13:9780874870787 Birch Tree Group Ltd.
within the twentieth century's overlooked but extremely influential physical culture movements: Jaques-Dalcroze's eurhythmics, Francois Delsarte's "System of Expression," Georges Gurdjieff's "Institute for the Harmonious Development of Man," and Isadora Duncan's "Greek" or modern dancing (69), among others.
Other influences on their ideas of female embodiment include Isadora Duncan's dancing, and eurhythmics. The book features illustrations of works by Spero and Mendieta, stills from Irene Sosa's video documentary on Spero, and transcripts of the author's interviews with Spero.
Despite the risque title (and no its not a Eurhythmics cover) its a wonderful track.
3.4 The teacher shows the students how to make body movements using the Dalcroze Eurhythmics method and records the activities.