Her work has been associated with Lyrical Abstraction, Geometric Abstraction and Color Field Painting
. Throughout her career she has explored nuances in color palettes.
In this exhibition, she demonstrates her love for nature with surrealistic landscapes in experimental geometric forms and unusual colours, serenely or tantalizing shimmering lines carrying characteristics of a field painting
"Piper's design for Coventry is modern and abstract, and reflects the changing aesthetic tastes in Britain associated with the emergence of colour field painting
," says Darren, referring to the art style popular in the 1950s-60s and characterised by blocks of solid colour."
Minimalist stripes and blocks of color from materials such as satin, raw silk, and tulle bring to mind Color Field painting
but show no painterly marks.
Novo Ecijanos feel very proud of the rice field painting
, especially with out-of-towners including TV crews coming over to check it out, Barroga adds.
• Chris Fiore, Pioneer Athletics: Field Painting
Writer and critic Sarah King says of the Porthmadog-born artist: "Lewis' work is instantly recognisable, with nods to Richter, Rothko and Pollock, and he is consistently at the forefront of abstract expressionism and colour field painting
Die verband met "Colour Field Painting
' is in my LitNet-resensie-artikel meer indringend verken.
Filled with playful works drawn and collaged from the "real" such as Rauschenberg's collaboration with John Cage, "Automobile Tire Print" (1953) and John's "Field Painting
" (1963-64), the museum managed to de-institutionalize its own masterpieces via an institutional alchemy.
The large amorphous clouds of Colour Field painting
and the geometric shape and stripes of both Op Art and Minimalism are related to two of the most common forms of successful ceramics decoration--overall glazing with subtle colour changes and geometric patterning such as stripes influenced by the three dimensional form.
Focusing on the period 1942-52, he treats these artists under the overlapping headings he used in his seminal work The Triumph of American Painting (1970): mythmaking (Rothko, Pollack, Newman, Gottleib, Baziotes); field painting
(Still, Rothko, Hoffman); gesture painting; plus the new heading of "biomorphist" painting (Motherwell, Gorky, Hoffman, and de Kooning), giving consideration to the development and reception of their oeuvre.
The late Al Loving layered strips of torn, stained canvas into a loose-jointed, jazzy, irregular shape that at once invokes the legacy of Cubism, Color Field painting
, and the accidental palimpsests of old posters on urban walls.