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gospel music,American religious musical form that owes much of its origin to the Christian conversion of West Africans enslaved in the American South. Gospel music partly evolved from the songs slaves sang on plantations, notably work songs, and from the Protestant hymns they sang in church. However, gospel music did not derive as much from Protestant hymns as did spiritualsspiritual,
a religious folk song of American origin, particularly associated with African-American Protestants of the southern United States. The African-American spiritual, characterized by syncopation, polyrhythmic structure, and the pentatonic scale of five whole tones, is,
..... Click the link for more information. . Gospel music, more emotional and jubilant, also stemmed from the call-and-response singing between preacher and congregation, which became common in black churches. Gospel lyrics often call for obedience to God and avoidance of sin in order to obtain the reward of heaven's kingdom; they also celebrate God's love. Gospel style makes use of choral singing in unison or harmony, often, but not always, led by a lead singer or singers. The songs are performed with fervent enthusiasm, vigor, and spiritual inspiration, with much ornamentation in the solo vocal lines.
In the black culture of the first half of the 20th cent., gospel music was considered antithetical to blues and jazzjazz,
the most significant form of musical expression of African-American culture and arguably the most outstanding contribution the United States has made to the art of music. Origins of Jazz
Jazz developed in the latter part of the 19th cent.
..... Click the link for more information. , despite their similarity of origins, and gospel performers rarely sang in nonreligious settings. Later, as all three forms became popular outside the black community, they were less mutually exclusive. A strong gospel element underlies the "soul" jazz and rock musicrock music,
type of music originating in the United States in the mid-1950s and increasingly popular throughout much of the world. Origins of Rock
Essentially hybrid in origin, rock music includes elements of several black and white American music styles: black
..... Click the link for more information. of the 1950s and 60s. Composer and pianist Thomas A. DorseyDorsey, Thomas Andrew
, 1899–1993, American gospel musician, b. Villa Rica, Ga. He began his career as a blues pianist and songwriter. Later he became a church choir director in Chicago and was a co-founder of the National Convention of Gospel Choirs and Choruses.
..... Click the link for more information. , often referred to as "the father of the gospel song," played a major role in the development of gospel music. Important gospel performers have included Mahalia JacksonJackson, Mahalia
, 1911–72, American gospel singer, b. New Orleans. She sang in church choirs during her childhood. Moving (1927) to Chicago, she worked at various menial jobs and sang in churches and at revival meetings, attracting attention for her vigorous, joyful
..... Click the link for more information. , Sister Rosetta Tharpe, Alex Bradford, James Cleveland, The Swan Silver Tones, The Mighty Clouds of Joy, The Dixie Hummingbirds, and The Five Blind Boys of Mississippi. Pop singers who have been heavily influenced by gospel include Aretha FranklinFranklin, Aretha,
1942–2018, American singer and pianist, b. Memphis. The daughter of the well-known minister C. L. Franklin, she began singing in the choir of his Detroit Baptist church, where she soon became a soloist.
..... Click the link for more information. and Ray CharlesCharles, Ray
(Ray Charles Robinson), 1930–2004, African-American musician and composer, b. Albany, Ga. Blinded at age seven, he was raised in Florida and at 16 began singing in a local hillbilly group. Two years later he moved to Seattle, where he formed his own trio.
..... Click the link for more information. . While the greatest era in gospel is widely considered to be c.1945–1965, the tradition and the music remain vital in contemporary culture. The Gospel Music Association rewards achievements in the genre with the annual Dove Awards.
See T. Heilbut, The Gospel Sound: Good News and Bad Time (1971); L. Gentry, A History and Encyclopedia of Country and Western and Gospel Music (1961, repr. 1972); H. C. Boyer, How Sweet the Sound: The Golden Age of Gospel (1995); G. Nierenberg, dir., Say Amen, Somebody (documentary, 1982).